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Music 4th Qtr (M)
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The
Kabuki
along with the
Noh
and Mingyo joruri (
bunraku
) are the three most prominent forms of traditional Japanese theatre
Kabuki
classical Japanese dance drama
rich in shownmanship
all male theatre that portrays female characters
Izumo Okuni
- kyoto shrine maiden that invented kabuki
Kabuki Theatre reached its peak during the
Edo
era
(
1616-1853
)
Kabuku
- art of singing and dancing
Categories of Kabuki plays
Jidaimono
(History plays) - political events from the past (9th-15th century)
Sewamono
(Domestic Plays) - affairs of towns people (commoners)
Shosagot
(Dance-dramas) - world of spirits and animals
aragoto
- "rough style" exaggerated actions that conveys meaning
kumadori
- major style in kabuki theatre
uses dark lines to portray a mask like effect
The Plots of Kabuki Theatre
historical
events
warm
hearted
dramas
moral
conflicts
love
stories
supernatural
tales
of
tragedy
onnagata
or
oyama
- female impersonator in kabuki
Roles in kabuki theatre:
high ranking
samurai
lady
young
maiden
wicked
woman
Kind of music:
debayashi
(
on stage
ensemble) - hayashi ensemble and shamisen
Joruri
(
narrative
) - gidayu-shamisen
Geza
(
off stage music
) - gives musical clues
Parts of the kabuki stage
Kamite
(stage
left
) - high ranking characters
shimote
(stage
right
) - low ranking characters
hanamichi
- allows for a dramatic entrance
Noh drama
- mysterious, tragic, supernatural and ceremonial kind of theatre
There are
240
Noh texts
shite
- leading character/the one being interrogated
waki
- side character/the one interrogating
kata
- Strict performance of set forms
Wayang
Kulit
- form of a puppetry show in Indonesia (
Java
and
Bali
)
origin is from
india
have been in existence for
800
years
"Masterpiece of Oral and Intangible Heritage of Humanity" (Given by UNESCO on
November
2003
)
Wayang - shadow (
javanese
meaning)
Wayang - puppet (
Bahasa
indonesia
meaning)
Kulit
-
Leather
or skin
3 forms of Javanese puppet:
Wayang Kulit
(
shadow
puppets)
Wayang
Klitik
(
flat
wood
puppets)
Wayang
golek
(
rod
puppets)
blencong
- oil lamp
dalang
- manipulates the leather figures
garuda bird
- represents the rays of the sun
Gamelan
- sets the appropriate mood for the play
has a tune for every puppet played
dalang
- narrates the story along with the
gamelan
(traditional orchestra)
The gamelan players will respond according to the dalang
gawang
- screen frame
kothak
- puppet box
kelir
- focus of the performance
gedebog
- banana log
cempala
- hammer used by the dalang