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Cards (59)

  • Cultural roots of Korean art
    Shamanism, Neo Confucianism and Buddhism
  • Tumuli
    Tomb caves where most artifacts from ancient times are found, shaped like a hill over the grave site resembling a mountain
  • Shamanism
    • Presence of the shaman or mundang, whose dancing, singing and rituals are felt to have a beneficial effect, in communicating with various spirits through the trance as a medium of communication
    • Inanimate objects include the bronze cauldron (ch'eongdongsot'), representing power and authority
    • Traditional currency (yeopcheon), representing good luck
    • Clouds, believed to carry people to the next world and are usually seen on ancient tombs
    • The marks consist of bar symbols which are seen on the South Korean flag as T'aegukki and represent balancing philosophies
  • Four Noble Plants
    • Japanese apricot (purity, integrity)
    • Orchid (good nature)
    • Chrysanthemum (elegance, high fidelity)
    • Bamboo (expels ghosts and bad luck)
  • Celadon
    Distinctive type of pottery that emerged in the Koryo dynasty, from the plain grey or brown pottery originating from the early Three Kingdoms and Great Silla
  • Choson ceramics
    Punch'ong and white porcelain
  • Pujok

    Korean talisman, acts as good luck charms or amulets that ward off evil
  • Changseung
    • One of Korea's traditional sculptures, which dates back two centuries, are the village guardians
    • In Jeju Island, there is the plumper version called harubang
    • They created the Sot'dae which were high poles with bird figures perched on top
    • Similar to the sot'dae, the pangsa-t'ap, or protective stone tower or guardian mound, is place at the entrance of villages to shield against evil spirits
  • Danch'eong or Tanch'ong
    Patterns that decorate the exposed eaves and doors of temples and palaces
  • Chapsang
    Clay figurines that give images to animals along the roof edges to ward off evil spirits, and also to prevent fire in palace roofs
  • Pagodas
    Called ta'p in Korea and are usually made out of stone
  • Sokkuram Grotto
    The cave temple of an enormous stone Buddha, said to be the apex of Buddhist architecture in Korea
  • Kim Tae Song, the same architect of the nearby temple, built the Sokkuram Grotto during the Silla Period
  • 36 years of Japanese colonial rule subordinated Korean art is such a way that contemporary Korean art was made possible only after the Second World War
  • Contemporary Korean art
    • A Memory of the 20th Century by Cho Duck Hyun in 1994
    • Lee Bul's frozen fish decorated with sequins displayed at the 1st Asia Pacific Triennial in 1993
    • The Monster Show by Lee Bul
  • In 2002, an exhibition called East Asian Women and Her Stories was organized by women curators and cultural workers in Seoul
  • Before the colonizers came to the Philippines, ethnic minorities have used art not only for daily activities but also for religious rituals and practices
  • Pottery
    Produced items that are practical value for the early Filipinos, such as pots for cooking and large vases for storing
  • Manunggal Jar

    One of the most prominent artifacts related to pottery, found in Palawan
  • Weaving
    One of the earliest forms of art expression in the Philippines, known for their colorful woven cloth, including the women abaca cloth called t'nalak
  • Woodcarvings
    • Each subject represents a certain theme or motif but generally, these symbols depict their beliefs as a people
    • In Mindanao, Tausug and Maranao people are known for their okir, which are designs applied to their woodcarvings. There common subjects include the sarimanok naga and the pako rabong
  • Sarimanok Naga
    The naga forms an S-shaped, depicting and elaborate figure of a mythical dragon or serpent
  • Pako Rabong
    A motif of a fern growing vertically, with a central point from which the design radiates outwards
  • Kutkut Art

    A glamorous Philippine art form based on early century techniques - sgraffito, layering and encaustic, practiced by the indigenous people of Samar Island in the middle of early 1600 and late 1800 A.D.
  • Chinese art

    • Characterized by a strong sense of tradition, especially in dealing with family
  • 3 Chinese philosophers

    • Confucianism
    • Taoism
    • Chan Buddhism
  • Confucianism
    A philosophy based on social cohesion, seeks to establish virtue and right conduct in the relationship between father and son, ruler and subject, male and female, friends and neighbors
  • Confucianism was China's state religion for 426 years during the Han Dynasty
  • Confucius
    The founder, born during the period of the Warring States - endless warfare and death plagued in China
  • Taoism
    Developed by Lao Tzu or Laozi, extolled the virtue of the "tao" or "the way", the purpose of life was to achieve a "oneness" with the universe
    1. ching (Book of Changes)

    Explains the principles of Qi (chi) energy are composed of Yin (female) and Yang (male) or the Principle of Dualism
  • Trigrams
    • Used to further illustrate the presence of yin-yang energy, taiji and the eight trigrams form the Taoist symbol called the pa'kua or ba'kua
  • Chan Buddhism

    Came in 1st century, introduced by traveling monks plying the Silk Route via Dunhuang and Guangzhou, a branch of Buddhism known in China extolling the pure teaching of Buddhism
  • Chan (Zen in Japan)

    Painters found inspiration in landscape paintings as revealing this state of illumination
  • Visual arts, architecture and funerary art in China

    • Powered centered on architectural structures and tombs excavations, in the "Middle Kingdom"
  • Tombs
    • Usually in the form of mounds or small hills, with a small opening at the base, Shang and Zhou royal tombs were cruciform pits, which yielded bronze implements and jewelry
  • Great Wall of China, Chin Dynasty
    • Constructed under Emperor Chin to keep out 'barbarian' invaders (the Hans) from the north
  • Terracotta Army, Chin Tomb
    • To ensure his immortality, his tomb contained 7,500 highly realistic, life-sized pottery figures of soldiers and horses, equipped with real weapons
  • Feng Shui

    Main entrance of the house must face the south, to receive positive chi into the household
  • Three-Bay House
    The space between the outer pillars of the house, or bays, must be an odd number to ensure good luck; even numbers are considered unlucky