Module 6

• Visual elements


  Movement and rhythm, space and depth, growth and structure, harmony and contrast, loudness and calm, and a wide spectrum of emotions that make up the subjects of great art can all be expressed through different components
• Visual elements


  • Line
  • Shape
  • Form
  • Value
  • Space
  • Color
  • Texture
• Line


  A moving point in space. Line may be two-dimensional or three-dimensional, descriptive, oblique, or explicit abstract. This is the foundation of all art. It is the first and most adaptable of the visual elements. Line in an artwork can be used in many different ways. Shape, pattern, form, structure, growth, depth, distance, rhythm, movement, and a spectrum of emotions can all be suggested by it.
• Shape


  Two-dimensional, even, flat, or height and width. Whether it's representational or abstract, geometric or organic, translucent or opaque, positive or negative, decorative or symbolic, colored, patterned, or textured, the possibilities are endless. Depending on our point of view, the angles and curves of shapes appear to change. Perspective drawing is the method we use to describe this shift.
• Form


  Two-dimensional, even, flat, or height and width. Whether it's representational or abstract, geometric or organic, translucent or opaque, positive or negative, decorative or symbolic, colored, patterned, or textured, the possibilities are endless. Depending on our point of view, the angles and curves of shapes appear to change. Perspective drawing is the method we use to describe this shift.
• Value


  Refer to lightness or darkness of tones and colors.

  • White-lightest value
  • Black is the darkest
  • Gray- middle or halfway between these extremes

  The tonal values of an artwork can be adjusted to alter its expressive character.
• Space


  Positive and negative areas defined or sense of depth. This is also the sense of three dimensions or depth. It could also refer to how the artist uses the space within the picture plane. Negative space is the space around the primary things in a piece of art, whereas positive space is the space occupied by the primary objects.
• Color


  Made up of properties: hue, value, and intensity. visual element that has the strongest effect on our emotions. We use color to create the mood or atmosphere of an artwork.
• Texture


  Way an art feel, or look when touched. An artwork's surface quality, or the roughness or smoothness of the substance used to create it. We perceive texture in two ways: visually and physically.
• These are all aspects to consider before attempting to attribute functions to art, in addition to the historical period, location of creation, cultural influences, and so on. Taking something out of context might cause people to misunderstand art and misinterpret it.
• Auditory elements


  • Tempo
  • Rhythm
  • Beat
  • Tone
  • Timbre
  • Dynamics
  • Melody
  • Harmony
• Tempo


  This is referring to the overall speed of the song. This is also commonly described in musical compositions with Longo, adagio, allegro, and other Italian terms.
• Rhythm


  In most songs, the words follow the beat. This comes from the Greek and means "flood." Rhythm arranges music in a similar way as poetry.
• Beat


  This is the regular pulsations of the music.
• Tone


  The highness or lowness pitch.
• Timbre


  The sound's color. The tone of each sound is distinct.
• Dynamics


  The loudness or softness of a sound's dynamics. Adding dynamics emotional ferocity Strong, pianissimo, and other Italian terms and crescendo indicate to musicians how loud a piece is. It should be performed or sung.
• Melody


  A decreasing succession of musical tones or pitches into a distinguishable pattern.
• Harmony


  This is the blend of tones or sounds that are played or sung together to make chords at the same time.
• Principles of art


  • Balance
  • Contrast
  • Emphasis
  • Movement
  • Pattern
  • Rhythm
  • Unity/Variety
• Balance


  A method of blending materials to give a work of art a sense of balance or stability. This also refers to how different elements relate to the total and to one another. Asymmetrical and symmetrical are the two main types. relates to the visual weight of the composition's elements. It is the sensation that the artwork is stable and "looks great." Imbalance makes the viewer uncomfortable.
• Contrast


  The difference between art elements in a composition, allowing each part to stand out more than the others. Contrasting aspects draw the viewer's attention when put adjacent to each other. The first thing a viewer's attention is drawn to are areas of contrast. Any of the elements of art can be juxtaposed to create contrast. Contrast can be seen in negative/positive space. Contrast is demonstrated by complementary hues arranged side by side.
• Emphasis


  A method of combining elements in order to emphasize the distinctions between them. is when the artist produces a visually dominant part of the composition that commands the viewer's attention. This is frequently accomplished through contrast.
• Movement


  A design approach that is utilized to generate the appearance and sense of activity while also guiding the viewer's eye around the piece of art. This is the outcome of using aesthetic components that move the viewer's eye around and within the image. Diagonal or curving lines, either real or inferred, edges, the illusion of space, repetition, and vigorous mark-making can all help to generate a sensation of movement.
• Pattern


  Repetition and modest incremental alterations are used to combine comparable parts in an artwork to emphasize their similarities. This is the consistent repeating of any art element or combination of parts. Through repetition, anything can become a pattern. Spirals, grids, and weaves are all classic patterns.
• Rhythm


  A design idea that implies movement and is achieved by carefully placing repeating motifs in a work of art to generate a visual tempo or beat. This is achieved by implying movement through the non-uniform yet ordered repetition of art pieces. It has anything to do with musical rhythm. Unlike pattern, which requires constancy, rhythm thrives on change.
• Unity/Variety


  You want your artwork to feel unified, with all of the parts blending in nicely. Too much consistency leads to monotony, while too much variety leads to pandemonium. You need both. In an ideal composition, there should be regions of interest as well as locations for your eye to rest.
• Hybrid art


  according to Rahman (2007), is something of mixed origin or composition, consisting of two or more components that yield outcomes. Integralism is the consequence of this new generation. The integration of accepting culture of origin, supporting the activity of merging, valuing creative minds, cross disciplinary or interdisciplinary, media and technology convergence, unrestricted process and experimentation have formed hybridism in art.
• The Progress of Medicine in the Philippines by Carlos Botong Francisco