Refers to the weight of objects and their placements in relation to each other
Types of balance
Symmetrical
Asymmetrical
Radial
Symmetrical balance
Exact mirroring of objects across an axis
Asymmetrical balance
Opposite of symmetrical when objects do not mirror each other perfectly, shifting the balance to one side or the other of the axis
Radial balance
Objects are distributed all around a central point
Proportion
The size of objects in relation to each other, or within a larger whole
Emphasis
Extension of balance and proportion: contrast, placement, size, color, or other features are used to highlight one object, area, or other elements of the artwork to draw attention or accentuate a feature
Variety
Sense of the difference between elements of an artwork - the opposite of unity or harmony, adds a sense of chaos often used to highlight powerful emotions
Artist who experimented with chaos and variety
Salvador Dali
Harmony
The use of related elements like similar colors, shapes, sizes of objects, creating a sense of connection and flow
Movement
Indicates the direction your eye takes as you view the work - the order in which your eye travels, often starting with the emphasis and travelling away from it
Rhythm
A kind of relationship between patterned objects, often the use of regular, evenly distributed elements that can occur in slow, fast, smooth or jerky intervals to convey feelings
Scale
The size of objects in relation to what you'd expect them to be in reality - natural, diminutive or monumental
Unity
The overall cohesion of the work, not to be confused with harmony
Repetition
The pattern itself, a combination of shapes, colors, or other elements recurring across the composition
Recognizable art dates from at least 38,000BC in Europe, Africa, and Australia
Vase decoration is a typically Neolithic art form
Stone Age
A period of history when stones are used to make tools for survival
Periods of Stone Age
Paleolithic - late years of the old Stone Age
Mesolithic - middle Stone Age
Neolithic - New Stone Age
The greatest discoveries from Egyptian civilization was the tomb of Tutankhamen
Tutankhamen
Became king at a very young age and died at the age of eighteen
Howard Carter discovered Tutankhamen's tomb in 1922, and they were astonished to find gold artworks and that the coffin was made out of solid gold. The body of the young king was covered in linen and a gold mask covered his face
Bust of Queen Nefertiti
Has a long and sensuous neck, enhanced by applying paint to the limestone
The use of naturalism in Egyptian artworks was rather short-lived
When King Akhenaton died, his successors returned to the more rigid and conventional styles they employed during the period of the Kingdoms
Fertile Ribbon
Starts from the banks of the Nile River, which flows north to Africa and ventures into the Mediterranean
For the Egyptians, art should be something religious and spiritual
Narmer Palette
A cosmetic palette that utilized and applied dark colors around King Narmer's eyes, and was also a symbol that commemorates the unification of Upper and Lower Egypt
The unification of Upper and Lower Egypt was significant because it makes the beginning of the civilization
Strengthening the bonds between Greeks were the "Panhellenic" sanctuaries and festivals that embraced "all Greeks" and encouraged interaction, competition, and exchange (for example the Olympics, which were held at the Panhellenic sanctuary at Olympia)
Geometric Period (c. 800-700 B.C.E.)
The imagery on the vase reflects other eighth-century artefacts, such as the Dipylon Amphora, with its geometric patterning and silhouetted human forms
Archaic Period
The city of Athens witnessed the rise and fall of tyrants and the introduction of democracy by the statesman Kleisthenes in the years 508 and 507 B.C.E., and is known for large-scale marble kouros (male youth) and kore (female youth) sculptures
Classical Period
A period of transition when some sculptural work displayed archaizing holdovers alongside the so-called "Severe Style", and artistic production and development continued apace with a new figural aesthetic in the fourth century known for its longer torsos and limbs, and smaller heads
Hellenistic Period
Following the death of Alexander the Great in 323 B.C.E., Classical aesthetics and teachings continued to endure from antiquity to the modern era
Rome was ruled by Etruscan kings who commissioned a variety of Etruscan art (murals, sculptures and metalwork) for their tombs as well as their palaces, and to celebrate their military victories
Greek cities of southern Italy and the eastern Mediterranean fell under the influence of Greek art - a process known as Hellenization
Cultural Inferiority Complex
Despite their spectacular military triumphs, the Romans had an inferiority complex in the face of Greek artistic achievement and based their painting and sculpture on Greek traditions and art forms developed in their vassal states
Examples of Roman art based on Greek traditions
Equestrian bronze statue of Emperor Marcus Aurelius (c.175 CE) reworked from the Greek statue "Doryphorus" (440 BCE)
Construction of the Baths of Diocletian monopolised the entire brick industry of Rome for several years
Roman architecture
Frequent use of the semicircular arch, typically without resorting to mortar, relying instead on the precision of their stonework