A sculptor is a person obsessed with the form and shape of things, and it's not just the shape of one thing, but the shape of anything and everything: the hard, tense strength, although delicate form of a bone; the strong, solid fleshiness of a beech tree trunk.
Later on, the materials used for sculpture included basalt, diorite, sand stone, and alabaster, as well as copper, gold, silver, shells, and other precious stones for high quality
In the Sumerian and Akkadian period, sculptures had large, staring eyes, and long beards of men, as seen in the example of the black-bearded golden bull's head
In the Babylonian and Assyrian period, the representation of man was portrayed in a conventional and typical manner, and there were representations of animal combats and hunting scenes
In the Egyptian period, the Palette of King Narmer was a palette used for mixing eye make-up, and Sphinxes were statues of deities with a body of a lion and the head of an animal or a man made to look like Pharaoh
In the Aegean Civilization, the Cycladic Period had pottery and silver jewelry, the Minoan Period had statuettes and carved semi-precious stone steals, and the Mycenaean Period had architecture with relief carvings
In the Gothic period, sculpture followed an ideal trend, with figures having a youthful appearance even when aged, slender and well-formed figures, long and smoothly flowing draperies, and a thoughtful, spiritual, and modest expression
In English Sculpture, John Flaxman found his inspiration in Greek rather than in Roman art, and a great change happened since 1875 due to French influence
In the United States in the 19th century, there was a classical period (1825-1875), a middle period (1859-1880), and a contemporary or cosmopolitan period that developed under French influence
Isabelo Tampinco y Lakandola was the greatest Filipino sculptor of the 19th century, known for the "Estillo Tampico" style seen in the Manila Cathedral and Santo Domingo church
Architecture is a science, arising out of many other sciences, and adorned with much and varied learning by the help of which a judgment is formed of those works which are the result of other arts