Made from cellulose fibre, often from waste sugarcane (bagasse)
Board
Made from cellulose fibre, often from waste sugarcane (bagasse)
Sources of cellulose fibre for paper and board
Flax
Hemp
Straw
Cotton
Bamboo
Wood
Best cellulose fibre for paper
Wood, due to quality of fibre length and strength
Deciduous and coniferous trees used
Making paper
1. Debarked, chipped wood or other cellulose fibre
2. Acetic acid and other chemicals used to break down lignin
3. Fillers like clay and calcium carbonate often added
4. Brightening agents such as bleach
5. Lots of water
Making wood free pulp
1. Solution heated to 140 C to produce fibrous liquid pulp
2. Dyes and sizes can be added
3. Minimum 500ml of water makes one A4 sheet of 80gsm photocopy paper
4. Nearly all water is filtered and reused
5. Lignin-free fibres called wood free pulp
Paper qualities
Whiteness
Opacity
Strength
Absorbency
Finish
Cost
Creating perfect paper
1. Source of cellulose fibre
2. Fillers that smooth out finish
3. Sizing agents that increase absorbency
4. Calendaring process to create specific thickness and surface finish
Sizing
Chemicals added to pulp or sprayed/rolled to base paper to reduce absorbency
Internal sizing
Added to pulp and affects paper quality and ability to run smoothly through machines
Surface sizing
Added to improve strength, reduce absorbency, and improve printability
Coated paper
Application of surface sizing, reduces ink absorption resulting in brighter, richer and sharper images with deeper blacks
Two main coatings: clay to increase smoothness, polyethylene to increase gloss and wet strength
Uncoated paper
Not treated with any sealant, allows greater and faster absorption of water or ink, resulting in duller colours and weaker paper
Paper and board finishes
Matte
Satin
Gloss
Textures (felt, wove, vellum)
Strength factors of base paper
Way cellulose fibres bond to each other
Strength of cellulose fibres
Length of cellulose fibres, longer being stronger
Quantity of fillers used, more fillers mean less strength
Elmendorf tear test
Measures force used to continue tearing a partially cut and clamped paper/board sample
Impact resistance
Measure of strength of paper and board products when subjected to impact force, e.g. packaging damage, indentation from implements
Weight order of paper and boards
Tissue paper: 10 - 35gsm
Layout paper: 40 - 60gsm
Tracing paper: 40 - 120gsm
Bleed proof paper: 70gsm
Photocopy paper: 70 - 150gsm
Cartridge paper: 120 - 150gsm
Foil-lined board: 200 - 400gsm
Mountboard: 500 - 2500gsm
Paper qualities considered depending on end use, e.g. weight for posting, longevity, impact strength, waste and cost efficiency
GSM
Paper classified by weight and size, measured in grams per square metre
Die cutting
1. Commercially, paper and board can be cut, scored, perforated and creased in one action with a die cutter
2. Large quantities of identical shapes can be produced quickly
3. Die is made by skilled technicians using a CAD drawing and laser cut plywood backing plates
Microns
Board measured in microns, 1000 µm is 1mm thickness
Paper-based materials
Weigh more than 220gsm, classified as boards
Anatomy of die cutter
Metal rules or blades, usually steel, in desired shape in laser cut plywood form
Material placed on cutting plate and pressed onto die which cuts, scores, creases or perforates
Paper size series
A series
B series
C series
RA series
Commercial untrimmed sizes, 105% of A series
Folding and creasing
Creasing involves making a line that is permanently present after material is creased or folded, either by hand or with a creasing rule
Cellulose fibres become permanently crushed and weakened resulting in the crease line
SAR series
115% of A series
Scoring
Similar to cutting but blade doesn't go all the way through material, allowing a sharp edge or joint to be created
Card
Paper over 220gsm
Perforations
Small cuts in paper or board that allow portions to be folded or torn off with good accuracy, usually created with a perforation rule in a die cutter
Corrugated card
Made from one or two flat outer layers called liners and corrugated medium
Flexible single layer form otherwise rigid with good strength to weight ratio
Shock-absorbing, lightweight, good thermal insulation perfect packaging
Corrugated or fluted board weight ranges
Single wall: 3000 – 5000 µm
Double wall: 6000 – 10000 µm
Triple wall: 12000 – 15000 µm
School-based cutting and scoring tools: safety rule, cutting mat, scalpel for cutting, blunt edge knife for scoring
Perfect package
Easy to handle when packing and loading
Outer layer printed on for branding and advertising
Available in range of sizes
Cheap because lower grade raw materials and natural finish
Fully recyclable
Absorbs moisture
Can't pack very heavy as it can tear or collapse when stacked
Tracing paper
Semi-transparent, grey, good for tracing ideas and overlaying or transferring one image to another, relatively hard and strong, usually around 40 – 120gsm, acid treated to make it resistant to grease
Layout paper
Slightly transparent but greater opacity than tracing paper, off white colour around 50gsm, not as strong as tracing paper, good for tracing ideas and laying out plans, often used in sketch pads or large sheets, takes pencil well
Bleed proof paper
Designers use for hand drawn marker renderings, does not allow ink or solvent based marker pens to bleed through, highly sized with high opacity gives deep colours, 70gsm
Cartridge paper
Creamy off-white colour, used for sketching, surface qualities take drawing media very well, used in Art + DT departments for pens, pastels, pencils, crayons, inks and some paints, slightly textured finish
Watercolour paper
Highly absorbent, therefore little or no sizing, withstand large amounts of water and retain structural integrity, remain flat when dried, matte, lightly textured finish