Ss1 chap 3

Cards (65)

  • Form
    One of the seven elements of art, connotes a three-dimensional object in space
  • Formal analysis
    Describes how the elements and principles of artwork come together independent of their meaning and the feelings or thoughts they may evoke in the viewer
  • Form
    The physical nature of the artwork, as in metal sculpture, an oil painting, etc.
  • Form
    A medium of artistic expression recognized as fine art
  • Style
    The arrangement of a variety of objects into a group of categories that make them easier to recognize, understand and talk about
  • What style can refer to in art
    • Art of a particular historical time period
    • Art of a particular nation
    • A particular group of artists
  • Craft
    Specific media such as ceramics, glass, jewelry, weaving and woodworking
  • Craft
    Medium-based classification of art forms, often have a utilitarian purpose but also display aesthetic and/or conceptual dimension
  • Categories of art
    • Fine arts
    • Popular art
    • Craft
  • Fine arts
    Believed to transcend the average human works and may be produced by only the best artists with unique sensibilities and academic training, requires sensitivity and a level of refinement on the part of the audience, includes painting, sculpture and architecture, displayed in museums, performed in theatre, and in art house cinemas
  • Popular art
    Product of popular culture which appeals to a broad mass of audiences, more accessible, inexpensive, entertaining, commercial, naïve or colorful than fine art, reflects the values and structures of our social systems, political hierarchies, and religious beliefs
  • Medium
    The substance the artist uses to create a piece of artwork, a specific type of art like painting, printmaking, sculpture
  • Plural of medium in this sense of media
    • Visual arts Architecture
    • Music (folk, indigenous, popular, contemporary, ritual)
    • Dance (ballet, folk, indigenous, theatre, modern, popular)
    • Theatre (school, ritual, sectoral, travelling puppets)
    • Photography
    • Cinema and television
    • Digital arts and computer-mediatedworks
    • Installation
  • Living traditions/traditional art
    Crafting of material arts that are passed on from one generation to the next within the context of daily life in the community, forms and styles of pottery, musical instruments, making of attire and accessories, and weaving of textiles and mats, dance, oral literature, music and ritual, skills and motifs are passed from master culture bearers to the next generation in the clan or tribe
  • Studio arts
    Production of visual arts which consists of painting, sculpture, graphic and plastic arts, emphasis is on individual meaning, artistic originality and uniqueness of expression
  • Neo-realism
    Influenced by Western cubism where objects and subjects are analyzed and broken down into geometric structures and shapes viewed from a multiplicity of angles, renders on the Philippine daily life such as fishermen, jeepneys, calesas, boats, fisher-folks, vendors, shoppers in flat shapes, patterns or stylized form, a legacy of Victorio Edades and Cesar Legaspi
  • Photorealism or hyperrealism
    Painting that is rendered in a meticulously realistic style with accurate details looking like a photograph, hyperrealism as a technique becomes magical realism if unreal or imaginary elements are focused on their presence in the actual material world
  • Social realism
    A term used to refer to the painterly practice of activist-artists in the 70s, led by Paul Bañez Saints, Orlando Castillo, Pope of Asis, Jose Charesma, Neil Doloricon, Edgar Talsuan Fernandez, Al Manringue and Jose Tence Ruiz, emphasizes that the subject matter should show a keen awareness of conflict arising from the oppressive conditions and events of the time
  • Abstract art
    May be pure beauty, a reason for its own being, can be derived from a recognizable object, can be expressive, and can be a metaphor or a symbol
  • Conceptual art
    Art for which the idea (or concept behind the work) is more important than the finished art object, emerged as an art movement in the 1960s, Roberto Chabet is the father of Philippine conceptual art
  • Binakul
    Common term for blanket design recognizable by abstract patterns which create an optical illusion, or in Western art, it is called "Op Art"
  • Panubok
    Embroidery to adorn the saipang (radial red/white blouse)
  • Binanog
    A courtship dance performed during harvests and weddings, dancers stamp their feet and outstretched their arms like birds' wings
  • Martino Abellana School of Painting
    Named after the master realist of portraits and landscapes, uses a unique chiaroscuro use of color progression from hues of yellow to orange, to red, to cool green, to blue and violet
  • Patadyong
    Traditional plaid textile which women weave in Antique, Iloilo and Negros Occidental, colors are mostly primary and secondary colors orange, purple and green
  • Ukkil or Okir
    National symbol - mythical dragon, naga or serpent, enhanced with elaborate lead and vine patterns, can be woven, carved, incised on wooden chests, engraved on handles of swords or blades, suggestive of the movements of the hand and torso in the Pangalay dance
  • Sarimanok
    A symbol in the form of a rooster with a hanging fish in its beak, bringing the naga to a resplendent flourish
  • Rameer Tawasil
    A Tausug artist whose paintings are brightly colored inspired by the ukkil design
  • Patadyong
    Traditional plaid textile which women weave in Antique, Iloilo and Negros Occidental
  • Colors in patadyong are mostly primary and secondary colors: orange, purple and green
  • Subjects in schools of living traditions
    • Weaving and embroidery of attire
    • Mat weaving
    • Dance
    • Making musical instruments
    • Crafting bead accessories
  • Ukkil or Okir

    Mythical dragon, naga or serpent, enhanced with elaborate lead and vine patterns
  • Ukkil can be woven, carved, incised on wooden chests, engraved on handles of swords or blades, suggestive of the movements of the hand and torso in the Pangalay dance
  • Abdul Mari Imao, a National Artist, popularized ukkil and sarimanok
  • Rameer Tawasil, a Tausug artist, has paintings that are brightly colored inspired by the ukkil design
  • Domestic architecture
    • Produced for social unit, provides shelter and security for the basic physical function of life that involve the family rather than a community
  • Religious and sacred architecture

    • Churches and mosques which serve as places for worship and shelter for relics and images
  • Welfare and educational buildings

    • Facilities for education, health, public security and utilities
  • Government and state architecture

    • Buildings that are required for the performance of the basic function of the government, administration, legislation and dispensing justice
  • Recreational architecture
    • Facilitates the human need to "re-create", to refresh or rejuvenate oneself mentally and physically