Fantasy and Delusion

• In Scene One, Blanche takes a streetcar named Desire through Cemeteries to reach Elysian Fields, where Stella and Stanley live. Though the place names are real, the journey allegorically foreshadows Blanche’s mental descent throughout the play.
•  Blanche’s desires have led her down paths of sexual promiscuity and alcoholism, and by coming to stay with the Kowalskis, she has reached the end of the line, to 'cemeteries'.
• The tension between fantasy and reality centers on Blanche’s relationship with both other characters and the world around her. Blanche doesn’t want realism––she wants magic––but magic must yield to the light of day.
• Although Blanch tries to wrap herself in the trappings of her former Southern belle self, she must eventually face facts, and the real world eclipses and shatters Blanche’s fantasies.
• Throughout the play, Blanche only appears in semi-darkness and shadows, deliberately keeping herself out of the harsh glare of reality.
• She clings to the false, illusory world of paper lanterns and satin robes: if she can keep up the appearance of being an innocent ingénue, she can continue to see herself in this fashion rather than face her checkered past and destitute present. 
• By maintaining an illusory exterior appearance, Blanche hopes to hide her troubled interior from both herself and the world at large.
• When Stanley tells Stella the sordid details of Blanche’s past, Blanche is offstage bathing and singing “Paper Moon,” a song about a make-believe world that becomes reality through love. But Blanche’s make-believe world does not overtake reality: her fantasy version of herself crumbles.