a war photographer is developing photos that he has taken in war zones across the world
being back in England contrasts from the war zone to now being safe and calm
a photo begins to develop and the photographer remembers the cries from a wife from the death of a man
the final stanza focuses on the people in England who will see the photos and won't care about the people or places
Carol Ann Duffy
a Scottish poet who published war photographer in 1985
the big idea and purpose
horror of war
victims of conflict
feeling and attitudes
pain -the photographs depict real pain and the emotional pain towards the woman who lost her husband. This contrasts to the pain of war and ordinary pain back home
detachment - the photographer is detached from his emotions in the war zone so he can do his job. The words 'finally alone' and 'impassively' suggest that this makes him detached from his life in England
anger - the poem ends with anger towards the people who don't care about the suffering of others
form:
the poem has 4 stanzas and an equal rhyme scheme
'set out in ordered rows' which echoes the care that the photographer has over his work
the use of enjambement reflects the gradual revealing of the photo as it develops
structure:
the poem follows the actions and thoughts of the photographer in his dark room
a distinct change when he remembers a death at the start of the 3rd stanza
the final stanza's focus shifts to the way the photographers work is received
religious imagery:
references to religion suggest that the photographer is a priest conducting a funeral as he develops the phots
there's a sense of ceremony to his actions
emotive language:
the poem is full of powerful and emotive imagery which reflects the horrors of war which are captured in the photos
like the photography, Duffy tries to represent the true horror of conflict in her work to make the reader acknowledge the subject
contrast:
the poem presents ' Rural England' to contrast the war zones
the grieving widow is compared to the people whose eyes 'prick with tears' at the pain
ironically the photographer is detached in the war zones but is deeply effected at home