13BC - decreed by senate on the day of Augustus' returned to rome from pacifying spain
9 BC - dedicated on the birthday og Augustus' wife, Livia
built on campus martius - where military commanders laid aside their military power on entering the sacred boundary of the city of rome
it was a subsitute honour instead of traditional celebration - erecting an arch - emphasised augustus role of brining peace
first monument for the worship of peace
Description(UPPER LEFT - EAST END)
Seated matronly goddess
holds two children
at feet - peaceful oc/cow/sheep
at the sides - two young women holding aloft the hems of their mantles
left woman - back of swan flying over an overturned water jug - represents fresh water/earth
right woman - back of tamed dragon over waves - representing sea
Interpretation (UPPER LEFT - EAST END)
atmosphere of peace - emphasis on fecundity-Pax Augusta has been identified as the goddess due to:
absence throughout monumenta
pannle of peace would provide strong contrast on pannel on the right of triumphant roman
Augustian peace was a new deity - she takes on features of traditional goddesses (e.g Tellus - mother earth sitting on rock surrounded by image of natural world)
represent peacetime vertues of rome
Description (UPPER RIGHT -EAST END)
-Roma seated on trophy of weapons, referring to Rome as a peace-keeper of world through conquest
Interpretation (UPPER RIGHT -EAST END)
represents warrior virtues of romans
links to north scene of front which includes mars - together they form a contrast with the two southern scenes showing roman peace
perhaps suggest military pacification is necessary for roman peace
Upper friezes along the sides - Description
hellenistic style
they show the same procession form alternative viewpoints of the street
almost life sized figures
at the front of both sides are priests of various kinds and roman officials
they are followed by members of imperial family
Upper friezes - possible occasions
reception from gaul 13BC
idealised vision of pious Augustus bringing peace and return of goldenage to rome
Upper Friezes - interpretation
Individuals shown in family groups:
to add variety and humanity to what otherwise be somewhat monotonous procession
children symbolised augustus' hopes for the continuation of the dynasty
children continue the theme of pax panel - ideas of peace and prosperity
imperial family in groups reminded viewers of social legislation - high birth rates among upper classes
Augustus wears a toga - symbollic of a civic eader
Description (Upper right - west end)
Aeneas with head covered
taking part in a religious ceremony - sacrificing a pig to the household Gods
Description - (Upper left - west end)
Mars, the twins, the she wolf and faustulus
portraying the myth then with Mars and Faustulus standing above them
Interpretation - (Upper left - west end)
the inclusion of mars conveys pace was attainable through pacification
Vegital Friezes
vines, acanthus. several other plants
represents the natural bounty and fertility of rome
the symmetry of plants could reference the strict social order that Augustus brought
Ara Pacis - social
vegital friezes provide idea that rome was fertile and plentiful
symmertary - strict social order
clothing - pieas, peaceful
Ara Pacis - Religious
popularity to pax
reminds romans of his connection to Gods - Aeneas, venus' son
Ara Pacis - religious
humility as the senate commisioned the monument
peace brought through pacification
Hellenistic style
links with cultural prestiage of the classical greece