Cards (20)

  • 13BC - decreed by senate on the day of Augustus' returned to rome from pacifying spain
  • 9 BC - dedicated on the birthday og Augustus' wife, Livia
  • built on campus martius - where military commanders laid aside their military power on entering the sacred boundary of the city of rome
  • it was a subsitute honour instead of traditional celebration - erecting an arch - emphasised augustus role of brining peace
  • first monument for the worship of peace
  • Description(UPPER LEFT - EAST END)
    • Seated matronly goddess
    • holds two children
    • at feet - peaceful oc/cow/sheep
    • at the sides - two young women holding aloft the hems of their mantles
    • left woman - back of swan flying over an overturned water jug - represents fresh water/earth
    • right woman - back of tamed dragon over waves - representing sea
  • Interpretation (UPPER LEFT - EAST END)
    • atmosphere of peace - emphasis on fecundity-Pax Augusta has been identified as the goddess due to:
    • absence throughout monumenta
    • pannle of peace would provide strong contrast on pannel on the right of triumphant roman
    • Augustian peace was a new deity - she takes on features of traditional goddesses (e.g Tellus - mother earth sitting on rock surrounded by image of natural world)
    • represent peacetime vertues of rome
  • Description (UPPER RIGHT -EAST END)
    -Roma seated on trophy of weapons, referring to Rome as a peace-keeper of world through conquest
  • Interpretation (UPPER RIGHT -EAST END)
    • represents warrior virtues of romans
    • links to north scene of front which includes mars - together they form a contrast with the two southern scenes showing roman peace
    • perhaps suggest military pacification is necessary for roman peace
  • Upper friezes along the sides - Description
    • hellenistic style
    • they show the same procession form alternative viewpoints of the street
    • almost life sized figures
    • at the front of both sides are priests of various kinds and roman officials
    • they are followed by members of imperial family
  • Upper friezes - possible occasions
    • reception from gaul 13BC
    • idealised vision of pious Augustus bringing peace and return of golden age to rome
  • Upper Friezes - interpretation
    • Individuals shown in family groups:
    • to add variety and humanity to what otherwise be somewhat monotonous procession
    • children symbolised augustus' hopes for the continuation of the dynasty
    • children continue the theme of pax panel - ideas of peace and prosperity
    • imperial family in groups reminded viewers of social legislation - high birth rates among upper classes
    • Augustus wears a toga - symbollic of a civic eader
  • Description (Upper right - west end)
    • Aeneas with head covered
    • taking part in a religious ceremony - sacrificing a pig to the household Gods
  • Description - (Upper left - west end)
    • Mars, the twins, the she wolf and faustulus
    • portraying the myth then with Mars and Faustulus standing above them
  • Interpretation - (Upper left - west end)
    • the inclusion of mars conveys pace was attainable through pacification
  • Vegital Friezes
    • vines, acanthus. several other plants
    • represents the natural bounty and fertility of rome
    • the symmetry of plants could reference the strict social order that Augustus brought
  • Ara Pacis - social
    • vegital friezes provide idea that rome was fertile and plentiful
    • symmertary - strict social order
    • clothing - pieas, peaceful
  • Ara Pacis - Religious
    • popularity to pax
    • reminds romans of his connection to Gods - Aeneas, venus' son
  • Ara Pacis - religious
    • humility as the senate commisioned the monument
    • peace brought through pacification
  • Hellenistic style
    • links with cultural prestiage of the classical greece
    • sophistication of the greek culture