The philosophy that art is a representation or reproduction of things, people, objects, or events that are known to man
Voltaire: 'Originality is nothing but judicious imitation'
Plato
A philosopher of Ancient Greece known for his Dialogues that include his teacher, Socrates
Plato loved and hated the arts at the same time
Plato's view on the arts
The arts can be used to train citizens to have an ideal society, but using arts to accomplish this should be strictly controlled
Plato's two ideas of art
Art is imitation
Art is dangerous
Plato's philosophy of reality
Reality exists in the world of being, which is illustrated in his Allegory of the Cave
Plato's view on art
Artis a copyofacopy which leads people farther from the truth (or the forms), and works of art are great for entertainment
Imitationism of Plato
Things in this world are beautiful as appearances of the reality or idea of beauty or the universal form of beauty existing in the world of being, and art is beautiful as imitations of things in this world and art is the imitation of the appearance of reality
For Plato and Aristotle, to be an artwork requires that the piece in question be an imitation of something
Under imitation theories of art, artists are said to attend foremost to mirroring the objective world
Batteux's definition of painting, sculpture, and dance
The imitation of beautiful nature conveyed through colors, through relief and through attitudes
Batteux's definition of music and poetry
The imitation of beautiful nature conveyed through sounds, or through measured discourse
The imitation theory claims that all art is imitative
Art as representation
An image, an appearance, a copy, and reproduction of things, people, objects, or events
Ways to represent nature
Physical alteration
Selective modification
Perceptual interpretation
Physical alteration
Changing the physical appearance of nature, like a natural marble that turns into a sculpture by carving and cutting
Selective modification
Enhancing the appearance of nature, like a forest that becomes a garden by arranging and trimming the plants, or a woman beautifying herself by putting cosmetics on her face
Trompe l'oeil
A painting that looks so realistic that it fools the eye as if it sees the real thing
Representation in Chinese art
The drawing of forms which answer to natural form, where humanity did not become the conqueror of nature, but rather took its rightful place in it
Romantic realism in Philippine art
The depiction of subjects as they appear in everyday life without embellishment or interpretation, combined with the emphasis on emotion and glorification of the past and of nature
Artists of romantic realism in Philippine art
Fabian de la Rosa
Fernando Amorsolo
Amorsolo's paintings pleased patron-customers, many of whom were Americans, by painting rural scenes where farmers and barrio lasses are shown joyously doing their tasks amid clean bright, and idyllic surroundings
Critics have pointed out the vast difference between Amorsolo's happy peasants and the poverty-stricken farmers who are the constant losers in the continuing struggle between landlords and tenants
Amorsolo did paint pictures where the sun did not always shine, like war scenes showing dead soldiers and burning buildings, products of his actual experience during the Japanese bombing and looting of Manila
Amorsolo's paintings are a "true reflection of the Filipino soul", but are highly commercialized and meant for political propaganda by hiding the social reality under the appearance of order and beauty