'woman'smouth, with all its pearls complete' - Describing Lamia
'the cruellady, without any show of sorrow for her tenderfavourite'swoe' - Lamia not showing much care for Lycius' well-being
'but rather, if hereyescouldbrighterbe' - Lamia enjoys seeing Lycius so vulnerable and easily corruptible
'sotangled in hermesh' - Describing Lycius
'demon'smistress, or the demon'sself' - paints Lamia as a hellish antagonist
'that if thou shouldstfade
Thy memory will waste me to a shade' - Lycius' dependency, foreshadowing
'When dreadfulguests would come to spoil her solitude' - briefness of their love, Lycius' mortal obligations (marriage) contraines relationship, enjambment of 'solitude' emphasises her loneliness
'Philosophy will clip an Angel'swings,
Conquer all mysteries by ruleandline,' - orderly logic removes the beauty of negative capability, restricts freedom of the unknown
'Lamia, no longerfair, there sat a deadlywhite,' - last comment on appearance, drained of life, engulfed by fear
'gordianshape of dazzlinghue' - Describes Lamia
'some knotty problem' - gordian knot, Alexander the Great used sword to break, opposite of negative capability, logic is forceful
Semanticfield of heat throughout entirepoem - links to passion and desire, but also the flaming hunger of logic and reasoning, threat
The abundance of mythological references reflects Lamia's otherworldly character and ambiguity.
Apollonius is named after the Greek god Apollo, who has been described as the god who punishes and destroys the wicked and overbearing.
Lamia can be viewed as a femmefatale - a beautiful, mysterious seductress whose charms ensnare her lovers.
'She writhed about, convulsed with scarletpain' - physical torment of Lamia's transformation
'her eyesfollowed his steps' - Lamia's predatory nature
'his eyes had drunk her beauty up' - negative capability, her beauty is false
'if thou shoudst fade thy memory will waste me to a shade' - foreshadowing of Lycius' death, dependence on Lamia
'The life she had so tangled in her mesh' - Lamia's control over Lycius
'Her fingerspressedhard, as one camenear' - Lamia's nervousness in civilised society
'cinder, ashes, dust' - destructive nature of love, bleak beginning of Part II
'too short was their bliss' - foreshadowing the briefness of their love
'for the sage, let spear-grass and the spitefulthistle wage war on his temples' - Apollonius' crown, piercing imagery which threatens their love with logic
'Lamia, no longerfair, there sat a deadlywhite'
'serpent's prey', Lamia portrayed as a destructive villain
'the sophist's eye, like a sharpspear, went through her utterly', Apollonius' knowledge cuts through her illusion