A range of human creative activities that produce visual, auditory or performing artefacts to express the creator’s imagination, conceptual idea, or technical skill, which are appreciated for their beauty or emotional power”
Art is
shaped by different individual, social, cultural, societal, political and other force
Used to challenge sociocultural norms and differences in our lives
Art in..
Classical Terms
Painting
Sculpture
Architecture
Performing Arts
Music
Film
Theatre
Dance and other performances arts
Art history
Until 17th century art was any skill or mastery
when aesthetic consideration became dominant, fine arts were separated
definition is often disputed (David, 19919) and subject to change
agreed to involve imagination or technical skill (Belton, 2012)
Long intertwined history
Art AND science are both essential and fundamental to experience, investigate and shape internal and external worlds
integral to communication of science so scientists study art from variety of disciplines
informed understanding of past societies, environments and scientific and therapeutic practice
Neuroaesthetics
how aesthetic perception, production, judgement and appreciation and emotional responses are experienced from a neurological basis
Mental imagery and creativity
tests aimed at assessing creative imagination (vividness of imagery, orignality etc)
the Artistic Creativity Domains Compendium (Lunke and Meier)
Creative Imagery Abilities (Jankowska and Karwowski)
The Artistic Creativity Domains Compendium (Lunke and Meier),
assesses interest, ability and performance in a distinct way for different domains of artistic creativity.
270 adults tested with the ACDC, standard tests of divergent and convergent thinking, and tests of cognitive functions.
ACDC is a valid instrument to assess artistic creativity and that a fine-grained analysis reveals distinct patterns of relationships between separate domains of creativity and cognition.
Creative Imagery Abilities (Jankowska and Karwowski)
new theoretical model of creative visual imagination, which bridges creativity and imagination research, as well as presents a new psychometric instrument, called the Test of Creative Imagery Abilities
developed to measure creative imagery abilities
assesses three components of creative imagination:
vividness of imagery
originality of responses
transformative imagery ability
9 studies on a total sample of 1700+ participants
Psychophysics
branch of psych that deals with relation between physical stimuli and mental phenomena
investigated art through psychophysics
visual cognition
brain basis of perception and aesthetics
metal imagery
clinical art therapy
Visual cognition
exploring differences in visual-spatial ability between artists and non-artists
Question of how humans perceive art and sensory perception fascinates artists AND scientists
art students outperform non-art students on drawing measures and some visual-spatial tasks
pattern of results broadly supports notion that art students differ in their ability to exert top-down control over attentional processing (but not low level visual processing)
Art; socio-cultural
Much research has followed the method investigating by Fechner objective correlates
led to neglect of meanings conveyed in art objects such as symbols of identity and group membership
Function of art to create/reflect culture
exploration of how art and behavioural action intersects
neglect of the consideration of embodied experience (what is the outcome and experience)
Art; Social psychology
scientific study of how we think, feel and relate to one another and how they’re influences by actual, imagined or implied presence of others
prejudice, stereotypes, persuasion, presocial behaviour altruism and culture
art has a unique ability to influecen how people think/feel/realte makes us reconsider our own position, create empathy, connection, allegiance, disconnection, dissonance etc
strong emotional reaction can act as catalysts to a change in thoughts and actions
Cultural psychology
the scientific study of how cultures reflect and shape the psychological processes of their members
Culture
the behaviours, ideas, attitudes and traditions that are shared by groups and transmitted over generations (defined by all sorts of parameters: geography, sexuality, music, language)
features of culture include
Norms- rules for accepted/expected behaviour
Taboos - prohibitions or restrictions imposed by a culture
Art; cultural psych
Art is part of the fabric of life that
informs our sense of self and group
identity, in doing so if creates the
norms and the taboos for our behaviour
our engagement with art allows for the questioning, reaffirmation… etc. to shape or change features and parameters of our cultural context
use art to represent, learn and relearn how to think, feel and behave within the groups that we are part of
Art; cultural psych
Art creates a critical discourse to challenge what is acceptable through our emotional response
engage in this active way with the object through affordances (even if this is to turn away and reject)
Affordance <–> emotion <-> dissonance
Art; cultural psych
Art can evoke emotion and therefore result in cultural dissonance.
Cultural Dissonance
sense of discomfort people experience when there are inconsistencies in cultural expectations, associated with belonging to one or more cultures or when overall cultural perceptions are shifting
Holy Virgin Mary by Ofili
black Madonna decorated with a resin-covered lump of elephant dung,
the figure is surrounded by small images of vaginas from porn mags.
Solso (1994)
Solso 1994
presented with a Holy Virgin Mary or the Virgin and Child
Found 3 possible response
Reject: dismiss the art object
Reflect: think about an association with religious purity and elephant dung could mean.
Revise: i.e. change the parts you don't like.
The Virgin and Child by Botticelli
was once the centre of scandal, (or at least discomfort and indignation)
Duggin (2016)- “(during the Renaissance) when the Virgin Mary began to look too much like the prettiest girl in town, the boundaries of religious art were strained, if not erased”
Art; socio-cultural psych
Yygotsky (1978) and Bakhtin (1981) – Mediated action involves two elements:
the agent who is doing the acting
cultural tools present in the environment used by the agent to accomplish the action
Art; socio-cultural psych
Affordances
how we perceive environments/objects as ways to afford us our needs
If an environment does not provide or afford, the necessary items then individuals are less likely to interact with the environment
People can collectively remember a national past through engagement with cultural
process of remembering is mediated through engagement with a particular tool in the environment, and interaction with it
Art; socio-cultural psych
memory is not limited to the biological underpinning of brain architecture - it's reflected in the social environment
people construct an experience of ‘national identity’ through cultural tools
“natural” expressions of human psychology require scaffolded engagement with cultural tools
Art; socio-cultural psych
consider that these various structures or patterns as cultural products that afford particular psychological experiences
products are not NEUTRAL in creation or IMPACT
CULTURE IS SHAPED BY PEOPLE (e.g. product of action) and SHAPES PEOPLE (conditioning element for future action).