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Music: Asian Traditional Theater
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Cards (47)
Dalang
He interprets characters and voice, he patiently holds the puppet and is the puppet master
Wayang
Kulit
Originated in Indonesia
Gatras
In groups of beats are called "measures" in Indonesia
Gongan
The gong ageng marks the end of the beat cycle
Kenongan
The "kenong" is used to divide the gongan cycle into two or four sections
Lancaran
There are sixteen beats for every gongan divided into four kenongan
Ketawang
There are sixteen beats for every gongan divided into two-8 beat kenongan
Ladrang
There are thirty-two beats for every gongan divided into four-8 beats kenongan
Ayak-ayakan
There are two kenongs for every gatra
Srepegan
There are four kenongs for every gatra
Sampak
There are eight kenongs for every gatra
Nonmetrical music
This is the kind of musical accompaniment to wayang kulit that does not have a definite meter
Tembang
or
Sekar
These are songs sung in a solo manner that are accompanied by a gender
Pathetan
This non metrical piece is used to commence a scene of the play, to establish the mood of the music, and to establish the tonality
Ado-ado
This non metrical piece is played by suling, gender, and the voice
Noh
A classical theatrical presentation for the royalty
Bunraku
A unique Japanese theatrical performance using a puppet, also known as
ningyo joruri
Kabuki
Japan's most famous theatrical performance that tourists always love to see
Kabuki
Originated in the Edo period of Japan
Kanji
The word has 3 characters
Ka
In kabuki, means songs
Bu
In kabuki, means dance
Ki
In kabuki, means technique or skill
Kabuki
The art of dancing and singing
Tsukecho
Each musician has his notebook called
Gidayu Bushi
A narrative music that uses shamisen as the main instrument
Shimoza ongaku
This music is being played in the kuromisu or the lower seats
Debayashi
Also known as degatari
Shamisen
The most important instrument
Aikata
This music that are instrumental are called
Meriyasu
This song is repeatedly played until a mood or scene is finished, and it also means "stretchy material"
Ki or tsuke
Wooden clappers called
Peking opera
Also known as
Beijing opera
Confucius
Philosophical teaching this theme focuses on
chang
Means "vocal music"
nian
Means "dialogue"
zuo
Refers to body movements of dancing, means "acting"
da
Means "martial arts"
Xipi
A style used in conveying intense emotions
erhuang
A style used to convey mystery and melancholy
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