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Music 8 - 4th PT
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Cards (15)
Dalang
The
puppet master
, he interprets characters and voice, he patiently holds the puppet and it the puppet master
Wayang Kulit
Originated in
Indonesia
Gatras
In groups of
beats
are called "
measures
" in Indonesia
Gongan
The
gong ageng marks the end of the beat cycle
Kenongan
The
"kenong" is used to divide the gongan cycle
into
two
or
four
sections
Lancaran
There are
sixteen beats for every gongan
divided into
four
kenongan
Ketawang
There are
sixteen beats for every gongan
divided into
two-8 beat kenongan
Ladrang
There are
thirty-two
beats for every gongan divided into
four-8
beats kenongan
Ayak-ayakan
There are
two kenongs
for every
gatra
Srepegan
There are
four kenongs
for every
gatra
Sampak
There are
eight kenongs
for every
gatra
Nonmetrical
music
This is the kind of musical accompaniment to wayang
kulit
that
does not have a definite meter
Tembang
or
Sekar
These are songs sung in a
solo
manner that are accompanied by a
gender
Pathetan
This non metrical piece is used in three ways: to commence a scene of the
play
; to establish the
mood
of the music; and to establish the tonality
Ado-ado
This non metrical piece is played by suling,
gender
, and the
voice