Methods of communication between the Political Nation and the monarch (crucial to the functioning of the English political system), including the Court and Parliament
Open and lively place that reflected the king's enjoyment of life, James I had open, physical interaction with his courtiers, criticised as drunken, immoral, and debauched
A type of dramatic entertainment popular among the English nobility in the 16th and 17th centuries, Charles I's court held them regularly, often reflecting the role that Charles thought he was fulfilling bringing order to the country
Published 1633 by Puritan William Prynne in opposition to the imagery of the court masques, also because the masques had associations with Catholicism, due to the nature of it acting like a ceremony
An artist who held Charles I's favour and produced many portraits for Charles, Van Dyck's work furthered the belief that Charles aimed to be an absolutist Catholic monarch
A cause of tension in James I's court because, as men, they were in a position to have an open political role, and the monarch allowed them to have one, also seen as another example of his debauched lifestyle and immoral court
His prominence at court was a major source of political tension in the years 1618-1628, also had a dominant role in the management of royal patronage (forced others to look to Parliament in order to pursue their interests)