beginning to discuss relationship between outer beauty and inner self
"Nameless grace."
religious language
her beauty is almost beyond language
"One shade the more, one ray the less."
juxtaposition
shows the intricate balance of the woman's beauty
"All that's best of dark and bright."
juxtaposition
shows the intricate balance of the woman's beauty
"She walks in beauty, like the night."
caesura allows reader to reflect on her beauty
establishes speaker's awe of her beauty
her beauty is so vast and impressive that it seems to surround her like an aura
"Which heaven to gaudy day denies."
even daylight is inferior to her
her beauty is almost supernatural
her beauty is exclusive to heaven
Written by Lord Byron who was a politician, a Romantic poet and had traveled across Europe.
Written in the 19th Century.
FORM
3 stanzas, each 6 lines line - typically form for hymns (religious imagery)
each stanza dedicated to a specific aspect of the woman's beauty
ABABAB rhyme scheme - regular, reinforces themes of harmony, mirrors antithesis of light and dark
LINKS TO GATSBY
the woman is the object of desire (Daisy) but the speaker does not pursue her like Gatsby, he only appreciates her
the idealised love that Gatsby has for Daisy
CRITIC (AO5)
feminist critics argue that this poem is an objectification of the woman as it mostly focuses on her physical beauty and her characteristics are merely assumptions of the speaker