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Tempest AO5
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Created by
Zara Khan
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Cards (24)
Vaughn
- contemporary/traditional
'The play was considered safe and appropriate to perform before the
King.'
Aurberlen
- 18th century
'Affirmation that the
monarchy
is the natural form of
government.'
Wilson - 19th century
'The
link
between
brute
and man.'
Vaughn
- 19th century
'Embodied the central
ideologies
of Social Darwinism and
British Imperialism.'
Dowden
- early 20th century
'There is always a
reconciliation.'
Wilson
- early 20th century
'Conclusion of
joyful atonement
and
forgiveness.'
Greenblatt
- new historicist
'Threat and
punishment
, as well as pardon, were strategies of
control
designed to reinforce the
monarch
as an all-powerful figure.'
Breight
- new historicist
'Magic for a more
straightforward
mechanism of
political
control.'
Charry
- post colonial
'Helped perpetuate
colonial
ideology.'
Hawkes
- post colonial
'The
colonist
imposes the shape of his own
culture
on the new world.'
Hulme
- post colonial
'Prospero's
magic can be equated with the coloniser's
technology.'
Loomba
- post colonial
'Prospero
consolidates
his power by
delegitimising
her (Sycorax).'
Brett
- feminist
'Miranda
apparent
freedom is entirely
illusionary.'
Singh
- feminist
'The
exchange
of
women
to solidify male
socio-political
bonds.'
Thompson
- feminist
'Submissive
and condemned to perpetual
obedience
to men (Miranda).'
Sebek
- feminist
'Doesn't submit to the
circuits of exchange
where women simply become
commodities.'
Charry
- feminist
'Miranda is to be wondered at and
admired
but ultimately used and
exploited.'
RSC
2016
- Miranda
Outspoken
, confident,
self-empowered.
Miller
1970's
- Caliban
Black slave
The
Globe
2013
- Caliban
Devil horns and
maniacal
laughter.
Carroll
2005
- Prospero
Play opens with him playing game of
chess.
Goold
2006
- Caliban
A
strong
wild man in
shackles.
Mendes
1993
- Ariel
Wildly
swinging, very
dominant
force.
Brook
1957
- Prospero
Obsessive and
brooding.