published in Heaney's first poetry collection 'Death of a Naturalist' (1966), one of three poems within the collection which was written about the Aran islands
Storm on the Island in relation to other poems in the collection
In 'Death of a Naturalist', 'Storm on the Island' follows 'Synge on Aran', a poem similar in many ways, describing the power of nature on the Aran islands
a thirty-year conflict of political violence, low-intensity armed conflict and political deadlock within the six north-eastern counties of Ireland that formed part of the United Kingdom of Great Britain and Northern Ireland
Storm on the Island is about the power of nature to generate fear - the islanders prepare for a conflict with nature but when the storm arrives, its power creates terror; Kamikaze is about the power of nature's beauty to make people want to live; in Kamikaze, the beauty of nature forces the kamikaze pilot to pull out of his mission
the similarity between Storm on the Island vs Exposure
in Exposure, the characters are also victims of the elements - they are sitting in the trenches waiting to be attacked, only to be slowly killed by nature, especially the cold. In Storm on the Island, the people think they are well prepared and then the realise that the storm is far more powerful than they could prepare for in this instance
A strong link between Storm on the Island and The Prelude
in The Prelude, when the author sees the mountain, he becomes terrified; he did not have any chance to prepare himself. In contrast, the characters in Storm on the Island knew what was coming and they think they are well prepared for it, they are smug, then the storm hits and they realise how unprepared they are for it
the key difference between Storm on the Island and The Prelude
the fear lasts with the speaker in The Prelude for days, whereas in Storm on the Island, we don't know how it ends and are left wonder what happens after the story is finished - we don't know how bad or catastrophic the ending was
the characters in Storm on the Island knew what was coming and they think they are well prepared for it - they are smug, then the storm hits and they realise how unprepared they are for
'We are prepared: we build our houses squat,' - use of the first person plural pronoun signifies inclusiveness. The speaker is part of a group or clan and so he is speaking on behalf of them. They appear to be a people that work together and so the first person plural pronoun signifies a united community
generally considered to be a dramatic monologue or free form poem but seems to not conform fully to either; perhaps a hybrid form combining elements of both
the experiences, emotions, needs etc that all people share, especially considered as a situation from which it is impossible to escape; the general condition of human life including psychology, sociology, politics, etc
a dramatic speaker, a defined listener, a developing action in the present and the gradual ironical revelation of the character of the speaker and the implication of another action in the past
in this case, the author may be writing from some kind of personal experience for from the perspective a common person on the Aran Islands, hence the use of the second person pronoun, 'we
the poem features iambic pentameter but not in strict form; it also features pararhyme, rather than full rhyme; the form does not appear to conform fully to any of the traditional types
by having no article (no 'a' or 'the' to begin the title), Heaney generalises so that Storm on the Island could describe any storm on any island; there is a sense that Heaney is not writing about one storm in particular, but about many similar storms.
could symbolise some kind of problem, possibly war, the use of a zero article means that it is not a specific storm - it could be any storm or multiple storms or regular storms
definite article 'the' makes it a specific place, a specific place which deals with many different problems such as war or attacks; storm could symbolize that the issues they face are not internal but are generated from the outside, such as invasions