The exploration and analysis of the art forms that we are exposed to
Art is mainly a product of human expression and it is part of our civilization to dig deeper and understand the traces of our existence – from personal to universal
Humanities
The branches of learning based on the philosophy and ethical perspective of humanism, which emphasizes the value of agency of human beings individually and collectively
Aesthetics
The study of beauty, from a Greek word "aesthesis" which means "sense of perception"
Universal Signatures in Human aesthetics
Expertise or virtuosity
Nonutilitarian pleasure
Style
Criticism
Imitation
Special focus
Values of Art
Intrinsic
Instrumental
Immediate Intrinsic Benefits
Captivation – "imaginative flight"
Pleasure
Empathy
Contribution to Public Spheres
Creation of social bonds
Expression of communal feeling
Instrumental Values
Cognitive
Attitudinal or Behavioral
Health
Social
Economic
Qualities of Art
The Skill of the Creator
Originality
The Uniqueness of the Creation
The Aesthetic Unity and Proportion of Simple and Complex Creations
The Durability of the Creation's Reputation
Philosophy
The quest to know, spurred by the love for truth
Metaphysics
The study of what is beyond the physical
Immanuel Kant
Practical reason
René Descartes
The proof of existence is the human capacity to think
Baruch Spinoza
Affects and feelings matter
Three primary kinds of affects
Pleasure or Joy (Laetitia)
Pain or Sorrow (Tristitia)
Desire (Cupiditas) or Appetite
Blaise Pascal
He recognized the limits of reason. "The heart has reasons, which even the reason does not know."
Transcendence
Going beyondreason to the realm of the divine
Philosophy is about what is attainable through human reason and theorizes what is attainable beyond reason
Plato
First and seminal philosophy of art in the West
Proposed the concept of the World of Ideas and the World of Forms
Claims that what we see on earth, what is visible as natural forms are copies of the original in the World of Ideas
Thought of art as mimesis, that is, copying what we see in the World of Forms. Art keeps us away from the World of Ideas (the true reality)
Apollonian Proportion
The standard Greek statue was seven heads tall
Golden ratio
The ideal ratio that guided the artists and produced harmonious and pleasing effects
Aristotle
Plato's disciple had a far more empirical approach to art
Finding form in what he encountered
Everything is composed of matter and form. They are called causes
Aristotle's Causes
Material cause - the elements out of which an object is made
Formal cause - an expression of what an object is
Efficient cause - the means by which an idea is made
Final cause - the end or purpose why an object is made
Attitudes towards art
Iconoclasts - against it
Iconodules - portrays god
Giorgio Vasari
Artists featured were influenced by the spirit of genius
Immanuel Kant
First had aesthetic questions that brought together the metaphysical and the psychological
Aesthetic judgment = moral judgment
Four Moments of Aesthetic Judgement
Disinterested - unexplained beauty
Behaves Universally - agreements/disagreements
Purpose and purposiveness
Necessary - all agrees it is beautiful
Georg Wilhelm Friedrich Hegel
Art as a human experience and as an artifact must be understood from historical perspectives
Thesis
An intellectual proposition
Antithesis
Negation of the thesis
Synthesis
Solves the conflict between the thesis and antithesis by reconciling their common truths and forming a new proposition
Karl Marx
Art is a reflection of the hierarchy in the society. Art celebrated kingship and the exploit of kings
Art celebrated the triumph of the Industrial Revolution. And art will also be used as a tool for social transformation
Postmodernism
Overarching explanations and systematizations are replaced by little narratives that accentuate difference, diversity, and paradox. Instead of building grand pictures, this approach to art emphasizes looking at art from a limited perspective
Roland Barthes
An artwork is not as important in itself as art but as a document of social interaction
philos - love
sophia – wisdom
trans : across
ascendere: go up
Marxism
Critique and analyze capitalism, and a classless society
Social classes in Marxism
Bourgeoisie - owns all means of production
Proletariat - wage earners, exploited workers
Marxist Ideology
A theory about the primacy of economic distinctions and class struggle in the course of human events