Culture exploded as a reaction to the pain of war and removal of censorship.
Expansion of media such as radios, newspapers, magazines and film.
The government subsidisedart exhibitions and sponsored cultural works.
Painting and writing could be inspired by the horrors of war and extremism of the early years.
Artist such as George Grosz reflected horrors, paining distorted and violent images.
Writing linked to personal experience was replaced with ones that had a political and social message.
All Quiet on the Western Front exposed painful life in the trenches.
Street theatre which took new political drama to the people was very popular.
There were developments in theatre, stark stage sets and new techniques such as direct communication with the audience.
'Mother Courage' was a playwright showing sympathy for the ordinary people.
The film 'Metropolis' was a critique of modern society, depicting a future where workers lived a robotic life under the ruling of an impractical upper class.
Walter Gropius'Bauhaus movement which was promoting a more modern outlook on architecture, bringing down the barrier between architecture and art.
Youth culture undertook Americanisation: chewing gum, cigarettes, fashion. Berlin was the 'Avantgarde' capital of Europe renowned for a liberal nightlife and tolerance of same-sex marriage.
The older generation saw it as a decline of the nation. In 1926, the Reichstag passed a law to protect youth from pulp fiction and pornography.
Pressure groups campaigned against female emancipation, nudism, homosexuality and Americanisation.
Books such as 'Decline of the West' painted a gloomy picture of democracy and only the elites could save the nation.