Lecture 2 - Theories of Perception

Cards (25)

  • Cartesian skepticism
    Descartes' view that the only thing we can be certain about is that we are thinking
  • Naive realism
    The view that our senses provide us with direct awareness of objects as they truly exist
  • Passive theories of perception
    • We take in sensory information with little interpretation or processing
    • Bottom-up processes: all information comes from the stimulus - perception begins with the automatic analysis of basic sensory information and builds up to more complex perceptions
  • Active theories of perception

    • Support constructivism
    • Bruner effect of expectation and familiarity on perception
    • Top-down processes
  • Descartes' quote: "I think, therefore I am"
  • Neisser's beliefs about visual perception under 'naive realism'

    1. Visual experiences mirror the external stimulus
    2. Visual experience starts and ends with the onset/offset of external stimulus
    3. Visual experiences are based on passive copies of the outside world
  • Selfridges' 'pandemonium model'

    Theoretical framework of visual letter recognition
    Suggests cognition involves a chaotic interplay of numerous processes
    Higher level 'demons' select more relevant info for processing
    Strictly bottom-up processing
  • Passive perception
    Distal stimulus (at a distance) → Proximal stimulus
  • Fodor's modularity of the mind hypothesis

    Sensory encoding → 5 senses each have their input modules which analyse different features → then processed for interpretation
    Bottom-up
  • Quinn, Burke, Rush (1993) - used behavioural markers with 3 month old infants to show they group by colour
  • Old look (Gestalt)
    Bottom-up, stimulus driven, passive
  • New look (Bruner)

    Top-down, knowledge driven, active (not just soaking in information)
  • Bruner & Postman (1949) - knowledge of the world influences our perception

    Incongruent stimulus (red spade) is less accurately recognised than normal cards
  • Familiarity influences perception
    Common letters are better reported than uncommon ones
    Harder to describe patterns when they are unfamiliar
  • Difference between perceptual and interpretive operations
  • Epstein & Rock (1960) - recency or expectancy as an overriding factor in determining perception

    Perception more influenced by recency in this experiment
  • Minksy's frame theory of perception
    Role of expectancy
    Active top-down approach, actively generate expectations about what will occur next based on our knowledge of the world
    Both visual and auditory
  • Stevens and Halle's analysis by synthesis
    Preliminary analysis into important auditory features
    Generated a hypothesis of what is expected to happen next based on rules of language
    Compare with what actually happens (synthesis)
    Predicting is key
  • Bruner's perceptual readiness
    Value and familiarity of the coin influenced the size estimation
  • Simplicity & likelihood
    Two squares overlapping is easiest to describe, but also may be more likely based on knowledge of the world
  • What are Hochberg's 2 principles?
    Minimum principle: 'perceive whatever object or scene would most simply/economically fit the sensory pattern'

    Likelihood principle: 'perceive whatever object would be based on past experience and current context '
  • Necker cube: where you look influences your interpretation of the stimulus - top down influences on perception
  • Crude-fine distinction (Global and local processing)
    Faster reactions when classifying global, bigger letters
    When small letter matches large letter, they are faster at saying the small letter
    Shows global preference
    Global processing applies a filter and provides a more detailed representation of the image
  • Summary: 'Old view' - passive, bottom up approach vs Alternative: interaction hypothesis generation - active! (process of comparison, further processing, Analysis by synthesis - prediction is key)
  • What are Gestalt's Laws of perceptual organisation
    1. similarity (colour, shape, size)
    2. proximity
    3. symmetry