A spotlight with a softedge, fresnels coveralotofarea and allow somecontrol over the beam angle.
LIGHTING: flood light
A fixed beam producing a strongflood of lighting with a soft wash.
LIGHTING: profile spot
The traditionalspotlight. These are ideal for highlightingsingleperformers.
LIGHTING: gobos
Gobos (or ‘goesbeforeoptics) are essentially stencils which sitoutside of the fixture. This allows you to projectshapes, such as trees or windows, effectively.
LIGHTING POSITIONS: front lighting
This provides a primarysource of illumination. Set the overheadangle at 45degrees to ensure facialexpressions are welllit and shadows are eliminated.
LIGHTING POSITIONS: side lighting
This is especially effective for danceperformances and highlights the arms, torso, legs and the side of the face.
LIGHTING POSITIONS: high side lighting
This highlights the toppart of the body including the head, neck, shoulders and arm. Ideally placed at a 30-60 degree angle.
LIGHTING POSITIONS: back lighting
Separates a performer or prop from the background to achieve a 3D effect.
STAGE: thrust stage
A stage that extends into the audience on three sides and is connected to the backstagearea by its upstage end. Has greater intimacy between performers and audience than a proscenium.
STAGE: proscenium arch
A stage that creates a window around the scenery and performers. Gives everyone in the audience a goodview because the performers need to only focus on one direction rather than continuallymovingaround the stage to give a good view from all sides.
STAGE: in-the-round
Any theatre space in which the audience surrounds the stagearea. More experimental and dynamic - BRECHTIAN
STAGE: traverse
A form of theatrical stage in which the audience is predominantly on twosides of the stage. Intimate and allows the actors to use the audience for effect.