perception is how we interpret or make sense of the sensory information we receive
bottom-up process - perception is based solely on info received by your eyes
top-down process - here our mind generates expectations of what we look at, help to make sense of information recieved
information you receive through your senses is known as sensation
perception is trying to make sense of the information received by senses
depth cues tells us the depth or distance of an object from the viewer's eye
monocular depth cues - using one eye to determine the depth or distance between things
binocular depth cues - depth cues that require the use of both eyes - generally more accurate than monocular
monocular depth cues:
height in plane
relative size
occlusion
linear perspective
height in plane - hen objects often appear higher up to show their distance - monocular depth cue
relative size - closer things appear to be larger in an image, further things appear to be smaller - monocular depth cue
occlusion - involves one object covering the other - the object in front will be closer - monocular depth cue
linear perspective - straight lines point and converge to one point in the horizon, helps to show distance - monocular depth cue
binocular depth cues:
convergence
retinal disparity
convergence - the eyes focus differently on things closer than they due to further - binocular depth cue
retinal disparity - compares the 2 images received by each eye, if an object is closer there is a difference from each eye
motion parallax - the way the visual field changes with movement of close objects seem to move faster than further objects
visual illusions is when the brain incorrectly interprets depth cues
illusions:
ponzo illusion
Muller-Lyer illusion
Rubin's vase illusion
The necker cube
the Kanizsa triangle
Ames room illusion
Ponzo illusion
Muller-Lyer illusion
Rubin's vase illusion
the necker cube
the Kanizsa triangle
amesroom illusion
the ponzo illusion relies on the depth cue of linear perspective with the 2 outer lines being drawn differently to create an illusion.
the line further away feels larger than the one closer to them but they are same distance
the Muller-Lyer illusion where you see the lines as different lengths dependent on the arrow pointing outwards or inwards but lines are equal length
ambiguity is where an image leaves an uncertainty as to what it actually is
the rubins vase is an example of ambiguity - the shape in the middle could be a vase, but the shapes at the side could be 2 faces, and is ambiguous as to which it is
the necker cube - example of ambiguity - the brain cannot decide on the front face of the cube
fiction - creating something that isn't there but the brain is left to complete the image
the kanizsa triangle - example of fiction - you see a triangle in the middle but is not actually there, you 'see' it due to its surrounding shapes
size constancy - keeping the original information about the size of an object even when it moves or changes
Ames room - example of size constancy - the room isnt actually a cube of the same size, the back wall and floor get bigger so the person in one corner appears much smaller than the other
perceptual set - the state of readiness for the information we receive from the environment around us
all cognitive processes, such as memory, decision making, learning and perception are affected by the perceptual set