- stressed and unstressed syllables (certain ones)
contrastive stress
- sentence meaning
- distinguish nouns (object vs. object, record vs. record)
intonation
- change in form, fundamentalfrequency changes & has variation
- provides info on speaker affect (extreme fundamentalfrequency associated with heightened emotion like anger or excitement)
duration
- change in length of a sound
- a syllable that is heavilystressed will usually have a greaterduration
intrinsic duration
- some sounds naturallylonger than others (vowels vs. consonants, continuants vs. noncontinuants)
phonetic context
- acoustic and articulatory environment in which a speech sound occurs
-for example, vowels preceding voiced consonants are longer in duration than vowels preceding voiceless consonants
EX: compare /i/ vowels in "leaf" and "leave"
phrase-final/pre-pausal lengthening
- syllables at the end of a majorsyntacticunit display this
juncture
- wordassignment to a sound
- has to do with timing and pausing
- finite way of duration
(hotdog vs. the pause in hot dog)
- sub category of duration
one aspect of juncture:
- specifies syllable affiliation
- redundancy of speech
EX: syllable with the /n/ in "an aim" vs. "a name"
- context provides redundancy to assure meaningtype
lexical stress
- the degree of emphasis on individual syllables within words
what does the degree of stress indicate
- indicates the relative importance of the various bits of information the speaker intends to convey
-ex: my mathnotes vs. mymath notes
fundamentalfrequency/pitch
- more heavily stressed syllables are usually marked by a higherf0 than lesser stressed
EX: declarative statement has a fall off of pitch while a question has a rise in f0 at the end
intensity/loudness
- more heavily stressed syllables are usually produced with more energy than weakly stressed syllables (respiration)
how can questions be differentiated from statements?
- declarative sentences and wh-questions display a rising-fallingintoation pattern
- risingfinal intonation signals a yes/noquestions
- final pitch rise may indicate incompleteness of thought
rise-fall pattern
- risingpitch followed by a fallingpitch within a single utterance
- in most of the languages
- babies' cries exhibit a rise-fall intonation pattern
unmarked breath group
- called this because of the pattern that appears to be related to a breathing pattern during which speakers make no specialadjustments to the phonatory process
- typical declarative sentence
- typically f0 falls at the end of a phrase or sentence
markedbreak group
- raising fundamental freequency at the end (shows special meaning is to be conveyed
increasing fundamental frequency
- results from higherVFtension
decreasing fundamental frequency
- results from laryngeal and respiratory factors
- relaxing CT muscle
- decreasing subglottal pressure
types of feedbackmechanisms
- external feedback
-- visual, auditory (slow), tactile (slow)
- proprioceptive feedback (relatively fast)
- internal feedback (most rapid)
external feedback: visual
- speaker knows how the message is received (e.g. zoom classes vs. in person)
- make adjustments as needed (speaker)
- provides for better communication
- does not influence learningspeechwell (e.g. being born blind does not interfere with someone learning their native lang.)
external feedback: auditory
- being born deaf makes learning language very difficult
- air and bone-conducted sensations (talk with ears plugged)
- too slow to influence ongoing speech, but provides feedback on what hasbeen said and make corrections
delayedauditory feedback (DAF)
- scientist accidentally delayed processing so he started to stutter
lombard effect
- talk louder (increase vocalintensity) when there's louderbackground noise (ex: at a concert)
filtering out frequencies
- e.g. phone
- phone is a low pass filter (allowing low freq. through, not high)
restrict articulation
- if something is restricting articulation we can quickly adjust and still speakinstantaneously
EX: in class he talked with a pen in his mouth and we could still understand him while his mouth was able to adjust
external feedback: tactile
- sensations of touch (light, deeper pressure) from: articulators in contact (tongue placement, teeth, lips, etc.) and airpressure and flowchanges at glottis
- speech influence under nerve block
- less sensation moving back in the vocaltract
less sensation moving back in vocal tract
- lips, tonguetip, alveolarridge towards the front so there's most feedback
- we wouldn't want the constant feedback from the VFtouching every time we speak