A harmonic produced on a stopped string on a stringed instrument.
Double stopping
Playing two notes at the same time on a string instrument.
Electronic amplification
Making a sound louder by electronic means.
Fundamental
The musical pitch of a note that is perceived as the lowest partial present.
Glissando
Slide from one note to another.
Harmonics
A very high note on a string instrument produced by placing a finger on a string very lightly before plucking or bowing.
Harmoniser
'Detunes' the input pitch be adding pitches a quarter tone above and below simultaneously.
Partials
Higher, much quieter sounds above the fundamental.
Pizzicato
Pluck the string.
Reverberation
A sustaining effect that creates the impression of being in a physical space.
Signal processing
Analysing, modifying, and synthesising sound signals.
Trill
A quavering or vibratory sound, especially a rapid alternation of sung or played notes.
Atonal
Music that does not belong to a particular key.
Dyad
A chord made up of two notes.
Overtone
A musical tone which is part of the harmonic series above a fundamental note, and may be heard with it.
Spectral analysis
Computer analysis of sound as the basis for composition.
Accelerando
Getting faster.
Dectuplet
10 notes in the time of 8.
Pulseless
No particular pulse. Free time.
Quintuplet
5 notes in the time of 4.
Ritenuto
Hold back the music for dramatic effect.
Septuplet
7 notes in the time of 4.
Syncopation
Emphasising beats of the bar that are normally unaccented.
Chromatic
Notes that do not belong to the key, or move by semitones.
Microtone
An interval smaller than a semitone.
Quarter tone
The tone between a semitone.
Retrograde
Play a melody backwards.
Sequence
The immediate repetition at a different pitch of a melody.
Drone
A type of pedal that usually consists of the tonic and dominant.
Monophonic
A single line which can be played or sung by several people.
Pedal
A sustained or repeated note sounded against changing harmonies.
Saariaho was born in 1952
She was born in Finland and Finnish
She was inspired by french impressionist composers like Tristan Murail and Gerard Grisey
She studied at the Institute de Recherche et Coordination Acoustique/Musicale (IRCAM), in Paris
Saariaho’s interests included computer-based sound spectrum analysis, electronic music, music combining live performance and electronics and the use of computers in the actual composition of music
In 1984, Saariaho moved back to Helsinki where she began teaching at the Sibelius Academy
Her first major work was “Graal théâtre” which premiered in 1994
saariaho wrote for ochrestras and chamber music
Petals is virtually identical to the last bars of the cello part in Nympheas