Othello: 'She loved me for the dangers I had passed and I loved her that she did pity them'
Parallelism
Placing the phrases "she loved me" and "I loved her" at the start of successive lines emphasizes the reciprocity of Othello and Desdemona's relationship
Chiasmus
The chiasmic placement of "she" and "I" visually reinforces the tightness of their bond
Iago: 'Virtue a fig! 'Tis in ourselves that we are thus or thus. Our bodies are our gardens, to the which our wills are gardeners'
Polyptoton
The repetition of a word in different grammatical forms, e.g. "gardens" and "gardeners", emphasizes that our actions are a direct result of our values
Cassio: 'Reputation, reputation, reputation! O, I have lost my reputation. I have lost the immortal part of myself, and what remains is bestial.'
Tricolon
The repeated use of "reputation" reflects that honor was the most important trait in Renaissance Venice
Cassio laments his loss of reputation
This is ironic as Iago is the true "bestial" character orchestrating the characters' downfalls
Emilia: 'Jealous souls will not be answered so; they are not over-jealous for the cause, but jealous for they are jealous. 'Tis a monster begot upon itself, born on itself.'
Tautology
"Jealous for they are jealous" emphasizes the irrational nature of jealousy
Epistrophe
"Begot upon itself, born on itself" emphasizes the self-engendering nature of envy
Desdemona: 'Good night, good night. Heaven me such usage send, Not to pick bad from bad, but by bad men!'
Antanaclasis
The repetition of "bad" with different meanings - "bad behavior" and "bad people"
Desdemona refuses to compromise her standards of goodness, even if it means making herself a martyr
Iago: 'I am NOT what I am'
Dramatic irony
Iago's true intentions are revealed to the audience, but not to the other characters
Revelations about Iago's intentions
Shapes how we perceive events (primacy effect)
Iago: 'Even now, now very now, an old black Ram is tupping your white Ewe'
Racist statement
Juxtaposition of black and white
Black sheep
Outcast who's done something wrong
Iago's use of language
Repetition and present tense to make ideas seem more real and immediate
Othello: 'So please your grace, my ancient, a man he is of honesty and trust'
Othello's deception by Iago
Iago is portrayed as honest, when he is actually deceitful
The word 'honest' or 'honesty' is used 49 times in Othello, compared to an average of 10 times in Shakespeare's other plays</b>
Brabantio: 'Look to her, Moor, if thou hast eyes to see; she has deceived her father, and may thee'
Brabantio's warning
May have planted the idea of Desdemona's unfaithfulness in Iago's mind
Iago: 'Beware, my lord, of jealousy; it is the green-eyed monster which doth mock the meat it feeds on'
Jealousy
An uncontrollable monster that will consume Othello
Iago's own jealousy
He thinks his wife Emilia has slept with Othello
Iago: 'Not poppy, nor mandragora, nor all the drowsy syrups of the world, shall ever medicine thee to that sweet sleep which thou owedst yesterday'
Iago's power
There are no remedies that can restore Othello to his previous happy state
Othello: 'I think my wife be honest, and I think she is not; I think that thou art just, and I think thou art not'
Othello's decision
Believing Iago or Desdemona will be crucial to the tragic ending
Othello: 'Yet she must die, else she'll betray more men. Putoutthelight, and then put out the light.'
Othello's reasoning
Killing Desdemona because she might betray other men in the future is a very weak rationale
Iago: 'From this time forth I never will speak word'
Iago's refusal to speak
Ensures his motivations remain a constant source of mystery
Othello: 'He loved not wisely, but toowell'
Othello's confusion
His actions were directed at protecting his reputation as the husband of an unfaithful wife, rather than loving Desdemona too well