Components of Media and Information Literate to an Individual
Improved quality of life
Greater political participation
Better economic opportunities
Improvement learning environment
More cohesive social unit
Effects of Media and Information Literacy on the individual and society
Personal
Political
Economic
Educational
Social
Professional
Medialiterate person
Can decode, evaluate, analyze and produce both print and electronic media
Emphases in media literacy training
Informed citizenship
Aesthetic appreciation and expression
Social advocacy
Self-esteem
Consumer competence
Text
A simple and flexible format of presenting information or conveying ideas whether hand-written, printed or displayed on-screen
Text
Any ''human-readable sequence of characters'' that can form intelligible words
Creators of text information
Author
Writer
Contributor
Columnist
Blogger
Editor
Publisher
Classifications of text information
Fiction
Non-fiction
How text information is produced
1. The writer selects a topic / issue worth writing about
2. Thorough gathering of information about a topic
3. The writer constructs an outline of the topic and composes the draft
4. Goes back to draft and develops it into a full text
5. Turns in the article to the editor or publisher
Typeface
Also called font, font type, or type, refers to the representation or style of a text in the digital format
Types of typefaces
Serif
Sans Serif
Slab Serif
Script
Decorative
Serif typeface
Connotes formality and readability in large amount of texts, usually used in body of the text of book, newspapers, magazines, and research publication, give classic / elegant look
Sans Serif typeface
Clean/ minimalist look, used for clean and direct meaning of text such as road signage, give a modern look
Slab Serif typeface
Carries a solid or heavy look, can be used in large advertising
Script typeface
Draws much attention to itself, used in wedding invitation
Decorative typeface
Caters to a wide variety of emotions or themes
Design principles and elements
Emphasis
Appropriateness
Proximity
Alignment
Organization
Repetition
Contrast
Emphasis
Importance or value given to a part of the text-based content, can be achieved by making the text bold, italicized, have a heavier weight, darkened or lightened, or enlarged
Appropriateness
How fitting or suitable the text is used for a specific audience, purpose or event
Proximity
How near or how far the text elements from each other, when two things are closely related, bring them close together
Alignment
How the text is positioned in the page, can be left, center, right, or justified
Organization
Conscious effort to organize the different text elements in a page, ensures that while some text elements are separated from each other, they are still somehow connected with the rest of the elements in the page
Repetition
Consistency of elements, unity of the entire design, repeating some typefaces within the page
Contrast
Creates visual interest, two elements are different from each other
Examples of visual media
Photography
Video
Screenshots
Infographics
Data Visualization (charts and graphs)
Comic Strips/Cartoons
Memes
Visual Note-Taking
Purpose of visual information
Gain attention
Create meaning
Facilitate retention
Elements of visual design
Line
Shape
Value
Texture
Color
Form
Line
Describes a shape or outline, can create texture and can be thick or thin, may be actual, implied, vertical, horizontal, diagonal, or contour lines
Shape
A geometric or organic area that stands out from the space next to or around it, or because of differences in value, color, or texture, can be geometric, organic, or abstract
Value
The degree of light and dark in a design, contrast between black and white and all the tones in between
Texture
The way a surface feels or is perceived to feel, the illusion of the surfaces peaks and valleys, resulting in a feeling of smoothness or roughness in objects
Color
Determined by its hue (name of color), intensity (purity of the hue), and value (lightness or darkness of hue), can be used for emphasis, or may elicit emotions from viewers
Form
A figure having volume and thickness, an illusion of a 3-dimensional object can be implied with the use of light and shading, can be viewed from many angles
Visual design principles
Consistency
Center of interest
Balance
Harmony
Contrast
Directional movement
Rhythm
Perspective
Consistency
Necessary for margins, typeface, typestyle, and colors
Center of interest
An area that first attracts attention in a composition, more important when compared to the other objects or elements in a composition
Balance
A feeling of visual equality in shape, form, value, color, can be symmetrical and evenly balanced, or asymmetrical and unevenly balanced
Harmony
Brings together a composition with similar units, if the composition was using wavy lines and organic shapes, you would stay with those types of lines and not put in just one geometric shape
Contrast
Offers some change in value creating a visual discord in a composition, shows the difference between shapes and can be used as a background to bring objects out and forward in a design
Directional movement
A visual flow through the composition, the suggestion of motion in a design as you move from object to object by way of placement and position