Dance terminology

Cards (30)

  • Elements of Movement
    • Space
    • Time
    • Energy
  • Qualities of Space
    • Shape
    • Spatial organisation including travelling and axial (on the spot) movements
    • Direction
    • Dimension
    • Levels
    • Focus
  • Qualities of Time
    • Rhythm
    • Duration
    • Accent
    • Tempo
    • Pause
  • Qualities of Energy
    • Swinging
    • Sustaining
    • Suspending
    • Percussive
    • Vibratory
    • Collapsing
  • Physical Skills
    • Alignment
    • Balance
    • Coordination
    • Flexibility
    • Control
    • Stamina
    • Strength
    • Transference of weight
  • Alignment
    Correct stacking of the plumb line (an imaginary straight line from the top of the head to the floor)
  • Balance
    Core muscles tensed
  • Coordination
    Control of transference of weight
  • Flexibility
    Lengthening of muscles through stretching
  • Control
    Correct placement and efficiency of movement
  • Stamina
    Cardiovascular fitness
  • Strength
    Built up muscles
  • Transference of weight
    Shifting the centre of gravity in movement
  • Movement Categories (GEFTTS)

    • Gesture
    • Elevation
    • Falling
    • Travelling
    • Turning
    • Stillness
  • Gesture
    Movements of any isolated body part, executed singly or in combination with other actions
  • Elevation
    Actions that result in the upward change of level in a dancer's body or a body part
  • Falling
    Movements which result in the downward change of level of the body or body parts, from one level to a lower one
  • Travelling
    Movements that the dancer uses to traverse the space from one location to another
  • Turning
    The amount of rotation of a body or body part around a vertical or horizontal axis
  • Stillness
    The control of movement that results in the stillness of single parts, multiple parts or the whole body
  • Intention
    The central theme or concept of the dance composition, the vision that the choreographer has for the dance or the reason or rationale for the choreography
  • Ways an intention can be derived and informed
    • To fulfill a performance purpose
    • To explore an idea, observation, emotion or theme
    • To explore movement possibilities in a particular style or fusion of styles
    • To respond either in a literal or an abstract manner to music or other stimulus such as visual imagery or words
    • To stimulate audience reaction and generate commentary on a particular topic
  • Choreographic Devices
    • Motif
    • Augmentation
    • Abstraction
    • Repetition
    • Accumulation
    • Inversion
    • Distortion
  • Motif
    An action which helps communicate the artistic intention and is therefore repeated or developed through variations in time, space and/or energy
  • Augmentation
    Making larger in size or extent, e.g. adding outstretched arms, small kick then large leg circle
  • Abstraction
    Focusing on pure movement or design rather than plot emotion or character. Or altering the realistic appearance while maintaining the essence of the topic, e.g. reality=normal walk, abstracted=bent on knees, on toes
  • Repetition
    Repeating one or more components of a composition (movements/phrases) so that they appear again and again for effect and help set the theme in the viewer's mind
  • Accumulation
    Gathering and collecting; starting with a single action and adding on another action while keeping the original action, done successively. E.g. Step; Step, kick; Step, kick, turn; Step kick, turn, jump.
  • Inversion
    Taking an action or phrase and inverting it (flipping it upside-down) to flip it on its axis, either upside-down or laterally
  • Distortion
    Twisting out of shape, deforming; taking a movement or a whole phrase and changing it from its original format, including using different movement qualities