A regional or social variety of a language distinguished by pronunciation, grammar, or vocabulary, especially a variety of speech differing from the standard literary language or speech pattern of the culture in which it exists
Macbeth
Warrior hero, whose fame on the battlefield wins him great honor from the king
Macbeth
His private ambitions are made clear to the audience through his asides and soliloquies (solo speeches)
His thoughts remain confused, both before, during, and after his murder of King Duncan
When Duncan announces that he intends the kingdom to pass to his son Malcolm
Macbeth appears frustrated
When Macbeth is about to commit the murder
He undergoes terrible pangs of conscience
Macbeth's manliness is mocked and demeaned by his wife
Macbeth is at his most human and sympathetic
By Act III, Scene 2
Macbeth has resolved himself into a far more stereotypical villain and asserts his manliness over that of his wife
Macbeth's ambition
Begins to spur him toward further terrible deeds, and he starts to disregard and even to challenge Fate and Fortune
Each successive murder
Reduces his human characteristics still further, until he appears to be the more dominant partner in the marriage
Macbeth's new-found resolve
Causes him to "wade" onward into his self-created river of blood (Act III, Scene 4), is persistently alarmed by supernatural events
The appearance of Banquo's ghost
Causes Macbeth to swing from one state of mind to another until he is no longer sure of what is and "what is not"
Macbeth's hubris or excessive pride
Is now his dominant character trait
In Act IV, Scene 1
Macbeth revisits the Witches of his own accord, his boldness and impression of personal invincibility mark him out for a tragic fall