I Daniel Blake

    Cards (24)

    • who directed the film and what is the name of his film company
      ken loach
      16 films
    • what genre does ken loach focus on
      social realism
    • why did WhyNot productions agree to work with 16 films
      they knew ken loach was on board
    • who funded the film and what did it mean for production
      BBC and BFI
      the funding for the film had an impact on the content of the film and marketing materials
      the low budget meant that there wasn't money for extravagant actors
    • the BBC is a public service broadcaster
      their PSB permit means they have to
      be educational as well as entertaining
      showcase diversity
      showcase new talent
    • how is ken loach politically known
      how is this portrayed in I, Daniel Blake
      he is known for being left wing
      the film is anti-conservative and is about the problems caused by them
    • why does having ken loach on board make the film seem more mainstream
      he is well known and has won several awards
      other than that, the film is quite niche
    • how are regional British films considered
      quite niche as they are hard to sell to a global audience - especially with their accents
    • what traditional methods of advertising were used and why
      - posters
      - trailers
      possibly because the audience for the film were older and wouldn't engage/see social media advertising
    • the daily mirror showed it on the front cover
      why was this a key marketing material
      they had a left wing audience
      older audiences who still read newspapers see it
    • why was the Palm D'Or award being mentioned on the marketing materials beneficial?

      engage audiences looking for a culturally significant/ quality film
      the award is given to niche films is it shows that I,daniel Blake is niche
    • what is a 'guerilla marketing technique'?
      (used by E-one)
      low budget, high impact
    • using the guerilla technique, what did they do to the houses of parliament
      projected quotes and images from the film onto the building
    • what did the light projections achieve
      targeted British audiences and also global audiences (through tourism and images being shared online)
      made the political message of the film clear
    • who did E-One hire to market the film
      regional marketing officers to drum up the publicity in northern communities
    • what did the regional marketing officers do
      fly posters
      talk in school
      ask cinemas to show the film
    • why were northern audiences targeted specifically
      more likely to be living in poverty and more likely to be anti- conservative due to political issues from the 80s
      finds an audience who might agree with the ideologies of the film
    • how does curran and Seaton's theory link to I, Daniel Blake
      made by an independent company - more creative film
      the film isn't driven by profit and power - it has educational purposes as well
      eg offered many free screenings as well
    • where was the premiere and why
      Newcastle (most premieres take place in London)
      targets a northern audience and reflects the films altenrative nature
    • Jeremy corbyn attended the premiere and tweeted about it
      why was this beneficial
      a good way of targeting and engaging left wing, anti conservative audiences
      as well as gaining more publicity due to his status
    • very few new technologies were used in the production of the film, why?
      (eg. cgi, 3D)
      the genre of the film (not in the narrative)
      also the low budget
    • the film was distributed on DVD after it had been at the cinema and was also available as a digital download online
      apply this to Livingstone and Lunt's theory
      this might have made regulation harder as people could avoid age checks this way
    • what rating did the BBFC give the film and why
      15
      due to the emotional nature and that younger audiences may not understand parts
    • some people think that educational films should get lower certificates
      apply this to Livingstone and Lunt's theory
      regulators have to tread a fine line between protecting the public and offering us a choice and benefits
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