Built through indigenous knowledge developed across generations, survived the test of time
Cultural practices, beliefs, traditions and feasts are tailored at keeping the symbiotic relationship of the Ifugaos and their environment as demonstrated by the annual agriculture cycle
Derived from the word "ipugo" which means people of the earth, or mortals as distinguished from those of the other realms, or 'people of the hill' or mountain people
Lamut and Alfonso Lista are melting pots of all these Ifugao ethno-linguistic groups, with other minority groups like Ilocanos and Gaddangs also present</b>
Famously known for their extensive rice terraces, elaborate rituals and festivities, wood crafts, dances, and ethnic dresses
Oral traditions are also among the distinctive characteristics, evidenced by the "Hudhud", an Ifugao chant inscribed on the Representative List of the Intangible Cultural Heritage of Humanity
Comprises all those related by consanguinity including the dead ancestors at least up to the fourth generation ascending, of great importance underlies their social structure, land use, and rice production
Informal and largely based on oral tradition, with learning done at home and in communal areas, passing of knowledge and skills through oral mode and by observation
With the losing relevance of the agamang in present times, community gatherings, like wakes, weddings, among other ceremonial activities, are platforms in the transmission of culture
Dulay, M C, Nangpuhan, DG G, Dugyon, EM C & Ngohayon, S. L. (in press). Ifugao Heritage in S L Ngohayon, D P Anduyan, Jr, EM C Dugyon & Begnalen, N (Eds.). Cordillera Heritage. Manila. Ifugao State University & the Commission on Higher Education-CAR.
Ngohayon, S. L., Martin, M. M. & Dulawan, L. D. (Eds), (2021). Ifugao Indigenous Knowledge Systems and Practices. Manila. Ifugao State University.
At present, these games are being performed during cultural festivals and occasions as a way of paying homage to the cultural identity and also for the generation to be educated through practice the diminishing cultural practices
Authorship to such literature is also not identified. Accordingly, it is impossible to attribute authorship of any piece to one particular person or group