first view of Trojans is as victims of Juno's storm
then on the temple frieze, the victims of the Greeks
the picture of their suffering continues in bk 2
their city is characterised by wealth
gilded beams and richly ornamented ceilings, bronze-plated doorposts and rich weaving
hazy picture of the Trojans that accompany Aeneas
some are named, but have no individualism
suits Virgil to show Aeneas as a solitary figure carrying alone the burden of his mission
book 4 - Aeneas tells the men to get the ships ready, they are delighted
the only indication we have about their feelings
their enemies point to their foreign ways
Iarbas mocks Aeneas as 'a second Paris, with eunuchs in attendance and hair dripping with perfume and Maeonian bonnet tied under his chin'
Remulus makes similar accusations: clothes dyed yellow and purple, a love of dancing, pipes and tambourines, sleeves on tunics and bonnets with ribbons (book 9)
Turnus relishes the though of bringing down the 'effeminate Phrygian' ad fouling in the dust 'the hair he has curled with hot steel and steeped in myrrh'
the insult is that the Trojans are effeminate, but nothing in their conduct would indicate that they are
Juno is reassured by Jupiter that when the Trojans join with the native Italians