the opposite of the civilised and controlled way the ideal Roman should conduct himself
book 1 - V. uses a simile which features a clash between furor and pietas
Neptune calming the storm is likened to the way a good man can calm an angry crowd
the simile shows a force of nature being likened to human behaviour
suggests that pietas can overcome furor
furor is used in Jupiter's speech to Venus to describe the ciivl wars that Rome will suffer
book 4 - furor frequently used to describe Dido
it is used for her passionate love, and for her anguish and the madness that drives her to suicide
used for Amata after the visitation from Allection
of Pygmalion and his killing of Sychaeus for the treasure
of the madness that makes the Trojans let the horse in and the frenzy of the Sibyl
rage which drives Homeric heroes to kill
drives Achilles to avenge Patroclus, to show no remorse for Hector to pay no attention to the civilised practice of allowing then enemy a decent burial
it drives Turnus and Aeneas too
Turnus rushes into battle for personal glory
he is a victim
Turnus' furor comes through the action of Allecto, who 'threw a burning torch at the warrior' so that 'in a frenzy of rage he called for his armour'
images of him are of a wild animal, raging torrent or uncontrollable fire
Mezentius shows similar furor in battle
similar of hungry wolves reflects the inhuman desperation which inhabits them in their fighting
a moment of furor overcomes him when he catches sight of Helen
he wants to kill her, not for the sake of justice but from anger and revenge
it is only Venus questioning his 'raging passion' that stops him killing her
he then rushes back into battle, with Creusa throwing herself in front of him, reminding him that it's his duty to protect his household
he gives way to furor in the death of Pallas
he 'harvests with the sword' everything before him, bursting with rage and 'flushed with slaughter'
his cruelty defies all the decent behaviour we could expect of the ancestor of the Romans
he saves 2 sets of 4 brothers for a human sacrifice to Pallas' shade, kills Magus who is begging for mercy, slaughters a priest of Apollo, and mocks Tarquitus, the son of Faunus
his furor takes beyond normal cruelty of war into behaviour which transgresses civilised behaviour and is an insult to the gods themselves
book 12 - shows his furor when Turnus begs as a suppliant for his life, asking him to take pity on his ageing father
there is every opportunity for Aeneas to show humanity and save Turnus
there is nothing in fate to prevent it since Turnus has renounced Lavinia
he sees the sword-belt of Pallas and plunges his sword into Turnus' breast
could be seen as an act of inhumanity, in killing Turnus, he is doing what Evander begged
as a leader, he is in an impossible situation
R. D. Williams suggests that Turnus represents a barbaric and antique way of life which can have no part in the new civilisation
Rome's mission, according to Anchises, was to 'cast down the proud'
Augustus states in his res gestae: ' ...as a victor I spared the lives of all citizens who asked for mercy. when foreign peoples could safely be pardoned I preferred to preserve rather than exterminate them'
Suetonius - after his victory he sent Brutus' head to Rome to be flung at the feet of Caesar's statue - shows more furor in his behaviour