Hamartia - Ignorance of a particular fact or set of facts, a 'tragic flaw'
Pathos - acts destructive to life, must be combined with hamartia
Peripeteia - a reversal of action/intent
Anagnorisis - recognition of ignorance
Plastic theatre - blue piano
"The music from the blue piano grows louder"
Enhances dream like feel of the play
Used when Blanche recalls loosing Belle Reeve and when she kisses the young man
Is loudest when Blanche is sent away to the asylum
The use of it the first scene and last scene emphasises cyclical structure and shows Blanche's need for companionship
Plastic theatre - shadows
Light represents truth, this is why Blanche uses an artificial lantern on the light bulb and is never seen in the daylight
Odd shadows on the walls during Blanche and Stanley's fight heightens her breakdown
Plastic theatre - jungle noises
"low animal moans"
"The inhuman jungle voices rise up"
Shows the animals inside humans
Highlights the brutality of the rape scene
Plastic theatre - 'It's only paper moon!' song
The song that Blanche sings when Stanley learns of her promiscuity
The louder he insists on the undeniable facts about Blanche, the louder she sings
Song is about how if both lovers believe in their imagined reality, then it's no longer "make-believe"
Shows how she believes that her lying is harmless, as she tires to weave harmony with her lies
Plastic theatre - locomotive sounds
"A locomotive is heard approaching outside"
Sound associated with Stanley (modern, impressive and raw)
Played when Blanche reveals the truth
S4 - he overhears the conversation of the sisters and there is a sound of an approaching train
S6 - when Blanche is telling Mitch of her past she harrowed by the sound and memory of a locomotive
S10 - Before rape the sounds get louder
May also represent Blanche's desire to escape
Plastic theatre - Varsouviana Polka
"The music of the polka rises up, faint in the distance"
Arouses a sense of loss and regret for Blanche
S1 - when Stanley questions her about her husband
S6 - when she tells Mitch about Allan's suicide
S8 - when Stanley gives her the Greyhound ticket
Draws upon the mental deterioration of Blanche and is used to bring bout her loss of the grip of reality
Plastic theatre - costume design
Men's dominance shown through bold colours, compared to women's softer tones - "blue denim work clothes"
Clothes used to represent class background
Blanche confesses to Mitch in a "scarletsatin robe" which has sinful connotations as it's associated with the biblical 'whore of Babylon'
Theme - sexual desire
Blanche's conception of herself in the world relies on male sexual desire for her, seen with her flirting with Stanley, Mitch and the young man
Stanley's sexual desire is linked to his masculinity as it asserts itself in a violent way over both Stella and Blanche
Sexual desire is linked to destruction as it is responsible for domestic violence between Stella and Stanley, Steve and Eunice, the rape of Blanche, the isolation of Blanche from society in the South and Allan's suicide
Theme - masculinity
Stanley presented as a brute through his aggression and animalistic physicality
Men contrast women with bold colours in their costumes
Asserting masculinity psychologically, seen when he digs into Blanche's past life
Asserting masculinity through his response to femininity, like his pride after learning of Stella's pregnancy
Mitch represents manhood as a place of comfort and refuge, which attracts Blanche. However he still uses his physical presence to attract
Allan is defined by his 'lack of' masculinity
Plastic theatre - echoes
"The greeting is echoed and re-echoed by other mysterious voices"
"The echo sounds in threatening whispers"
"Luredreflections"
Shows Blanche's declining mental health
Shows how her narrative and ending has been influenced by other voices, like Stanley