Art from the Paleolithic through Neolithic periods
Importance of Prehistoric Art
Demonstrates early human expression of beliefs or actions
Evidence of early human culture
Evidence of symbolic thought
Art is uniquely human
Periods of human development in prehistory
Paleolithic (old stone age)
Mesolithic (middle stone age)
Neolithic (new stone age)
Paleolithic period
People spent most of their lives just trying to stay alive by hunting and gathering food and living in shelters
Cave art
Painting or drawing of figures called pictographs and petroglyphs to portray a story or record known history
Cave art themes
Large wild animals (bison, horses, aurochs, deer)
Tracings of human hands
There are almost 600 pictures of animals, mostly horses, in cave paintings
The caves were extremely dark and not easy to access, yet the paintings demonstrate amazing artistic talent
Possible reasons for cave art
Decoration
Represent clan/tribe
Mark possession/show ownership
Symbols of opposites, e.g., signs
Traditional interpretations of cave art
Religious/spiritual purpose: to show a connection/dependence on the animal kingdom
Survival: a kind of "magic" (to hunt or gain the power of the animals)
Shaman
A person who enters a trance, or altered state of consciousness, to obtain supernatural power in the form of a spirit helper
Most recent interpretation of cave art is that it was to express inner visions, dreams, and hallucinations
Three general themes in cave paintings
Humans (rarely depicted, drawn as cartoon-like silhouettes)
Animals (horses, bison, etc. painted larger than other images)
Signs (abstract symbols difficult to interpret)
Prehistoric humans communicated through cave paintings as they did not know how to write
Most prehistoric paintings are of animals, believed to be of social and religious significance
Cro-Magnons
The first species of Homo Sapiens, who lived in Europe before the emergence of Indo-Europeans, from 40,000 to 8,000 BCE
Shamans
Would retreat into caves, enter a trance state, and paint images of their visions
Prehistoric people would have used natural objects like berries, clay, soot, charcoal or animal fat to paint the walls of the caves
Prehistoric art techniques
Painting
Drawings
Engravings
Handprints
Prehistoric figure
Disproportional dimensions
Emphasis on certain features
Simple representations
Poorly represented movement
Prehistoric art examples
Venus of Willendorf
Lascaux cave paintings
Chauvet Cave
Pech-Merle Cave Painting
Hall of Bulls at Lascaux
Bisons from Altamira Caves
The shift from Paleolithic to Neolithic can be marked by the establishment of civilizations and the development of farming and food storage
Neolithic examples
Jericho fortification
Neolithic plaster skulls from Jericho
Stonehenge
Jiahu bone flutes
Anasazi handprints
Cosquer Cave handprints
Neolithic
The "new stone age", reflecting the use of stone tools, some metals, permanent communities, agriculture, and animal husbandry
Neolithic art was still almost without exception created for some function
Instruments
Flutes carved from the wing bone of the red-crowned crane, with five to eight holes capable of producing varied sounds in a nearly accurate octave
Handprints
From the North American Anasazi tribe
Positive images
Hands coated with pigment and then applied to the rock
Neolithic
The "new stone age," generally reflecting the use of stone tools with some use of metals and with people settling into permanent communities, the development of agriculture, and animal husbandry
Neolithic art
It was still, almost without exception, created for some functional purpose
There were more images of humans than animals, and the humans looked more, well, human
It began to be used for ornamentation
In the cases of architecture and megalithic constructions, art was now created in fixed locations
The emergence of tombs provided unmoving, "visit-able" resting places for the dearly departed
Neolithic painting
Wall painting from Çatal Hüyük, including the world's earliest known landscape, dating from c. 6150 BC
Saharan Neolithic paintings depicting scenes of Eritrean pastoral life
Neolithic statuary
Primarily statuettes, with a focus on female/fertility, or "Mother Goddess" imagery
Animal statuettes, often found broken into bits, perhaps indicating use in symbolic hunting rituals
Figurines fashioned out of clay and baked, rather than carved
Neolithic pottery
Neolithic pottery with incised design from Paradimi
Clay, one-handled jug with biconical body and tall neck, dated to ca. 4,000 B.C.
Neolithic art
The "new" arts to emerge were weaving, architecture, the construction of megaliths and increasingly stylized pictographs that were well on their way to becoming writing
The earlier arts of statuary, painting and pottery saw many refinements
Neolithic village
Skara Brae, with stunningly preserved structures containing stone furniture (dressers, beds, cupboards) dating back to 3200 BC
Egyptian culture
Developed along the banks of the Nile river more than 3000 B.C.
Egyptian art
Heavily influenced by everyday life, especially religion and life after death
Not focused on exact replication, just representations
All art looked similar to preserve a sense of stability amongst the people
The Egyptians strictly upheld the style of frontalism, adhering carefully to stylistic rules
Egyptian painting
Wall painting of Nefertari, with themes including journey through the afterworld or protective deities introducing the deceased to the gods of the underworld
Egyptian architecture
Scant tree growth prevented the extensive use of wood as a building material
Both sun-dried and kiln-dried bricks were used extensively
Only temples and tombs have survived, with immensely thick walls built using durable materials like stone
The belief in existence beyond death (reincarnation) resulted in existing architecture of utmost impressiveness and permanence
Egyptian architecture
The Great Pyramid, covering about 13 acres with 2,300,000 dressed stone blocks
The Sphinx, with the head of Pharaoh Khafre on the body of a lion