I remember yearning, for something that was always about to happen and was never the same as the hands that were on us there and then, in the small of the back, or out back, in the parking lot
Pictures flickering over lifting flesh
Something could be exchanged, we thought, some deal made, some trade off, we still had our bodies. That was our fantasy.
I hunger to commit the act of touch
The plump shapes of bulbs held in the hands, fullness, the dry rustle of seeds
She was then a woman who might bend the rules. But what did I have, to trade?
I’ve read your file. As far as I’m concerned, this is like a business transaction.
worms, evidence of the fertility of the soil, caught by the sun, half dead; flexible and pink, like lips
tanned skin, mist in the sun, filmed with smoke. I sigh, inhaling
he sees my eyes and I see his, and heblushes
If they think of a kiss they must immediately think of the floodlights going on, the rifle shots
I move my hips a little… its like thumbing your nose from behind a fence or teasing a dog with a bone held out of reach…I enjoy the power- the power of a dog bone, passive but there
They wore blouses with buttons down the front which suggested the possibilities of the word undone
They wear lipstick, red, outlining the damp cavities of their mouths, like scrawls on a washroom wall, of the time before
To be seen- to be seen- is to be- her voice trembled- penetrated.
we are secret, forbidden, we excite them
The stains on the mattress. Like dried flower petals. Not recent. Old love; there’s no other kind of love in this room now.
oiling themselves like roast meat on a spit
He liked to choose what kind of meat we were going to eat during the week…he wasn’t being a jerk, studies had been done
I feel my shoe soften, blood flows into it, it grows warm, it becomes a skin.
Buttered, I lie on my single bed
We too need our orgies
Trying to get rid of it is like trying to stamp out mice
He kissed me then, as if now Id said that, things could get back to normal
the Venus de Milo, in a black-and-white photo, with a moustache and a black brassiere
The meat market
her stud farm
he knows why I’m here. To get knocked up, to get in trouble, up the pole.