Tess of the D'urbervilles quotes and analysis

Cards (16)

  • Chapter one: Tess' father and the Parson 

    'How are the mighty fallen'- Gives a sense of verisimilitude (true/real appearance), class and social mobility come to the forefront of this conversation. Introduces the theme of the inevitability of suffering and loss
  • Chapter two: Tess' appearance
    'a fine and handsome girl', 'pronounced adornment':
    Tess presented as an innocent country maid, but with complexities to her character
  • Tess' home life
    'the dialect at home'- Tess is both educated yet remains a peasant, introduced to Tess' bawdy mother and her 'metaphysical impalpability'
  • Elements of pride that elevate the tragic hero of Tess
    A symbol of strength through constant misfortune, Tess' rape and Sorrow's death etc, antithesis to subservient Victorian women- 'I won't walk another inch with ye'
    Maintains pride and dignity at death- 'I am ready'
  • Elements of pride that diminish Tess as tragic hero
    Prideful in her insistence to take Prince to market with the bees, rather than see her family fail- 'I won't have it'
    In her most desperate state at Flintcomb ash, she refuses to ask for money and help and runs away- 'Here's a pair of old boots- tramp shoes'
  • Setting used to reflect Tess' more positive emotional states

    Marlott reflects Tess' naivety and inexperience of the world- 'untrodden' and 'secluded'- metaphor for Tess' untainted childhood
    Talbothys- sense of happiness evoked after the death of Sorrow and then falls in love with Angel, 'ever balanced on the edge of passion'
  • Setting used to convey Tess' negative emotional state

    Shows the destruction of English peasantry and symbolises Tess' tragic journey- 'she was doomed to come'
    Shows exploitation of workers in the industrial era- 'their movements were mechanical'
    Village parallels her emotional distress and heart break- 'barren' 'few trees' 'the remains of the village'
  • Tess as a victim of the patriarchy
    Tess raped and condemned as a 'fallen woman'- evoking sympathy 'why didn't you warn me there was danger'
    Endures endless suffering at the hands of men 'he made her his creature
    Angel abandons her- calling her an 'imposter'
  • Tess as a victim of organised religion
    Victim of a repressive religion- Sorrow's death- 'Shabby corner of God's allotment'
    Hypocrisy of the Church shown through Angel, tragedy of being a woman at the time- 'my poor, sweet Tess. Dead, dead, dead.'
  • Entire identity is shaped by the patriarchal society
    Parents use Tess as a commodity to trade for social nobility- 'We'll send Tess to claim kin'
    The rape forged another identity upon Tess, cultivated by society
    Concept of a 'fallen woman' further reiterated through the rejection of the Christian Church- 'I'll never come to your church no more'
    Her sense of wellbeing and worth is wholly dependent on a man, dignity and self-worth stripped off her when she has no choice but to return to Alec
  • Shame in Tess' family

    Family's irresponsibility and carelessness- her father 'drunk and inclined'
  • Tess' shame after the birth of Sorrow
    Induced by repressive religious ideologies of Victorian societies- 'shabby corner of the graveyard'
    Her shame ostracised her from society- 'she went out only after dark'
  • Tess' shame with Angel
    Tess' confession to relieve her guilt is met by further scorn of Angel- 'it is not the same'
  • Tess' shame when returning to Alec
    Ashamed at her position in Sandbourne- 'I say it is too late'
  • Restrictive lives of ordinary people
    Decline of pastoral life and poverty-people being replaced by machinery- 'threshing machinery
    Female objectification used a means of social mobility- 'his bold rolling eye had flashed upon her form'
  • Hypocrisy of religion
    Sorrow representing the reality of organised religion- 'with the drunkards'