As a Romantic social reformer, Shelley employs a subverted sonnet, combining the Shakespearean and Petrarchan form. This challenge of the typical sonnet form mirrors his challenge of the authoritarian power of George III and the archaic 19th century monarchy. Additionally instead of romantic love, the poem explores hubristic self-love, condemning the absolute monarchy in Georgian England by creating an allegory of the supercilious monarchy.