During the prehistoric times, there were no extant architectural sites and styles. Architecture was even hardly mentioned even in the oldest Japanese texts.
When communities grew, so were the residential houses especially of the local ruling family and even rice storage houses that were in Sannai-Maruyama in Aomori and the Yoshinogari in Saga.
Tombs were constructed when a centralized administrative system was developed. The most remarkable was the Daisen-kofun which was the designated tomb of the Emperor Nintoku.
In the 8th century, temple building was focused at Todaiji in Nara. Todaiji is said to be the most ambitious religious complex erected in the early centuries of Buddhism in Japan.
It was during this time that Japanese architects used indigenous elements of design: cypress-bark roofs replaced those of ceramic tiles, and wood planks were used instead of earthen floors.
In the Fujiwara period, architectural sites were devoted to elegant aesthetic pursuits. An example of this is the Amida Hall and the Phoenix Hall called the Ho-o-do of the Byodoin which is the best example of Fujiwara Amida halls.
After the Kamakura period, architectural styles were simple and sturdy; many of the samurai houses were a mixture of shinden-zukuri and turrets or trenches.
It was during the Kamakura period that the tea ceremony was developed and practiced. The tea house was, therefore, constructed following a rustic style cottage that emphasized natural materials such as bark-covered logs and woven straw.
It was during the Azuchi-momoyama period that new forms of architectural styles were developed. The castle and the shoin were developed as responses to the militaristic climate of the times.
It was during the Edo period when architectural styles were simplified. Since the city of Edo was frequently destroyed by fire, a simplified architecture was necessary for easy reconstruction.
It was then in the 19th century when Japan was exposed to Western culture that they were able to blend Japanese styles with European architectural styles.
Also called as pseudo-Western-style architecture, resembled a western style but considered Japanese design techniques, common during the Meiji period but eventually disappeared when Western techniques became prevalent