mod7

• 3 forms of narrative appropriateness

  1. reproduction
  2. transfiguration
  3. stylization
• is the mimetic reproduction of an original work of fine art, a faithful rendering of an original artwork, most frequently achieved through a photographic or digital rendering process.

  reproduction
• a single work of fine art is identifiable but the artist has transformed the image to fit the context and purpose of a particular picture board, narrative and design.

  transfiguration
• a specific work is not readily identifiable but a particular art movement, for example surrealism may be adopted upon by the illustrator.

   

  stylization
• it occurs when the possession of a tangible work of art (such as a sculpture or a painting) is transferred from members of one culture to members of another culture. 


  object appropriation
•  appropriation artists want the viewer to recognize the images they copy. They hope that the viewer will bring all of his original associations with the image to the artist's new context.

  context appropriation
•  one cultural adopts the fashion, iconography, trends, or styles from another culture.


  style appropriation
• this form is related to stylistic appropriation. Sometimes artists are influenced by the art of a culture other than their own without creating works in the same style.

  motif appropriation
• occurs when someone from one culture rep- resents members or aspects of another culture.

  subject appropriation
• who is the first artist to successfully demonstrate forms of appropriation within his work

  Marcel Duchamp
• in terms of art, it is when someone adopts, copy, transfer, borrow, transform something an object, image, motif, etc. from a culture that is not his or her own-a photograph, a book, clothing style, hair style etc.

  cultural appropriation
• these are used by folklorist in analyzing, interpreting and describing the traditional elements found in the lore of a particular folk group and compose the folklore of the various regions and cultures of the world based on the motif patterns.

  traditional motifs
• they  identifies motifs in folklore to be able to interpret where, how, and why these motifs are used so that they can understand the values, customs and ways of life of unique cultures,

  folklorist
• refers to the recognizable and consistently repeated story elements (examples are common characters, objects, actions, and events) that are used in the traditional plot structures or tale- type of many stories and folktale.

  motif
• is the main sector of traditional crafts. These are types of work where useful and decorative devices are made completely by hand or by using simple tools.  

  handicrafts
• These are both arts and crafts that use plant, animal, or synthetic fibers to create practical or decorative objects.


  textile art
• it is is an image, spoken, or written word, sound, act, or another visual or structural device that has symbolic significance.

  motif
• These motifs include lines in various forms, such as vertical, horizontal, diagonal and curved. They form fabric designs, such as stripes, plaids, checks and circles and their associated designs.

  geometric motifs
• portray as direct replica of things as they exist in nature, such as flowers on trees, animals in jungle, human figure and other natural things.They are also called novelty patterns.

  realistic motif
• These are simplified variations of natural or man- made objects that are no longer recognizable.

  it obtained by rearranging the real objects either by simplifying or exaggerating to achieve the purpose of the design.

  stylized motif
• These are combinations of color, size, and shape without relationship to natural or man- made objects.

  abstract motif
• ‘Symbol’ comes from the Greek word ‘symbolon’ which means contract, token, insignia,

  and means identification.
•  are iconic signs which represent complex facts, not through words or sounds but through visual carriers of meaning.

   

  pictograms
• -are topographical representations with complex functions (statistics,etc.) and iconic facts.

  cartograms
• -are functional representations. these are more on functional carriers that usually illustrate.

  diagrams
• it represent concept of idea, the sign as a symbol which relates to the object or concept referred to, independently of any format identification with it.

  ideograms
• are conceptual representations like writing. They are visual, referential linguistic signs that do not take the phonetic dimension into consideration.

  logograms
•  is a sign that is also composed of a sign, derived from a written repertoire such as the alphabet.

  typograms
•  is a sign that is used to signify linguistic or the other sounds.

  
  

  phonograms