"What happens when a self portrait is not just of the artists but made of the artist?"
Marc Quinn - substance and pure
"it's made from the substance of me; and so I think of it as the purest form of sculpture"
Marc Quinn - life and blood
he thinks of this piece "about life rather than death"
Blood and "the way it renews itself; it's not like chopping a limb off"
James Romaine - blood outside body
"Blood outside of the body evokes woundedness, even death"
James Romaine - ancient
"The encasement of the blood head gives it an ancient appearance"
James Romaine - not for shock - meaning comes from material and representation
"...the use of blood is not a shock tactic. The meaning of the work comes from the exchange between its material substance and its representational form."
James Romaine - marble is mortality
"A marble bust would have implied immortality; Self is a portrait of mortality"
James Romaine - body and soul
"an interest in the relationship between the mortal body and imperishable soul"
James Romaine - life and death real
"actualises the matter of life and death, making the frailty and decay of our bodies visible and palpable"
James Romaine - aesthetic and mortality
"practise an aesthetics of mortality"
James Romaine - like and death as a distance
"Self is disconcerting because it touches on issues of life and death that we would like too keep at a distance"
Will Self - dependence
"Certainly Self is about the idea of dependence; that just as the addict is dependent on his drug, so the blood head cannot survive without electricity"
Julian Stallabrass
all the details - "gives the impression of tremendous age, as if it were some unearthed ancient artefact"
James Romaine - encasement is essential
the encasement is like 'life-support' - both 'visually and conceptually essential'
Will Self - dependent
'the idea of dependence'
James Romaine
Quinn practises 'aesthetics of mortality '
Will Self - purest form
'purest form of sculpture - to sculpt your own body, from your own body'