While the terms 'performance' and 'performance art' only became widely used in the 1970s, the history of performance in the visual arts is often traced back to futurist productions and dada cabarets of the 1910s
In the early 20th century, taking inspiration from cabarets and detailing their manifestos in person, the art movements of Dadaism and Surrealism featured early versions of this style
If not directly related, they surely inspired what would come afterward, especially since each of these art movements had a touch of the avant garde which means new and unusual or experimental ideas
Yoko Ono used this type of performance art to do conceptual experiments where she invited the audience to choose an action from a list she compiled and act it out
Specifically used by feminist artists like Carolee Schneemann, Valie Export, and Hannah Wilke who used their bodies to challenge the traditional way the female experience and body were portrayed in the media and by male-dominated art forms
A pioneer of endurance-based performance art, known for pushing her physical and mental limits in works that explore themes of pain, vulnerability, and the human condition
Her most famous performance, "The Artist is Present" (2010), involved sitting silently for long periods of time while inviting audience members to sit opposite her
His "How to Explain Pictures to a Dead Hare" is a performance about the limitations of explanation. The hare, representing death and lack of understanding, can't receive the explanation. It challenges traditional art analysis and pushes the boundaries of art itself
Japanese multimedia artist, singer, songwriter, and peace activist. Known for performance art and filmmaking. Moved from Tokyo to America where she met John Lennon, Beatles founder and guitarist