Artists as far back as the early twentieth century began experimenting with art as an environment, with the emergence of Dada and Surrealism came a rejection of bourgeois values and the capital placed on works of art, with the emphasis on experience and ideas
Installations often envelop the viewer in the space of the work, while sculpture is designed to be viewed from the outside as a self-contained arrangement of form
Non-collectible - patrons don't usually have the ability to purchase due to the works' size, scope, and uniqueness or significance
Large in scale - created to be site-specific in locations like rehabbed warehouses, large rooms in a gallery space or museum, or even in a public art space
Japanese artist sometimes called 'the princess of polka dots', creates paintings, sculptures, performances, and installations with polka dots as a motif
Yayoi Kusama had a hallucination as a child of a field of flowers with dots that went on as far as she could see, and she felt as if she was disappearing or 'self-obliterating' into this field of endless dots
Yayoi Kusama: '"Our earth is only one polka dot among a million stars in the cosmos. Polka dots are a way to infinity. When we obliterate nature and our bodies with polka dots, we become part of the unity of our environment"'