groups who are deemed a threat by society due to media amplifying this
moral entrepreneurs
an individual, group, or formal organization that seeks to influence a group to adopt or maintain a norm
Moral entrepreneurs, editors, politicians, police chiefs, bishops and other ‘respectable’ authorities condemn the group and its behaviour.
Cohen - inventory
uses the analogy of a disaster, where the media produce an inventory or stocktaking of what happened
Cohen says this inventory contained three elements:
exaggeration and distortion
prediction
symbolisation
Cohen examines the media’s response to disturbances between two groups of largely working-class teenagers, the mods and the rockers, at English seaside resorts from 1964 to 1966, and the way in which this created a moral panic.
mods - wore smart dress, rode scooters
rockers - wore leather jackets, motorbikes
The initial confrontations started on a cold, wet Easter weekend in 1964 at Clacton, with a few scuffles, some stone throwing, some windows being broken and some beach huts wrecked.
deviance amplification spiral
media makes cases seem as if a problem is spreading and getting out of hand.
mods and rockers case led to calls for increase control response from the police
this produced further marginalisation and stigmatisation of the mods and rockers as deviants, and less and less tolerance of them, and so on in an upward spiral.
functionalist perspective of moral panics
moral panics can be seen as ways of responding to the sense of anomie or normlessness created by change.
By dramatising the threat to society in the form of a folk devil, the media raises the collective consciousness and reasserts social controls when central values are threatened.
hall et al
neo-marxist
argue the moral panic of 'mugging' in 70s was used to distract public from crisis of capitalism, dividing the working class on racial grounds and legitimise authoritarian style of rule
examples of modern folk devils in media
travellers
asylum seekers
aids
single parents
criticisms of moral panics
assumes societal reaction is always an overreaction - some may not care
mcrobbie and Thornton - argue that moral panics are now routine and have less impact
late modernity - there is little consensus about what is deviant
audiences are more active and no longer have collectivist reactions