Q1 Arts Appreciation

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Cards (222)

  • Aristotle: 'Art completes what nature cannot bring to a finish. The artist gives us knowledge of nature's unrealized ends.'
  • Michelangelo: 'The true work of art is but a shadow of the divine perfection.'
  • Johann Wolfgang von Goethe: 'Art is a mediator of the unspeakable.'
  • Paul Gauguin: 'Art is a mad search for individualism.'
  • Bertolt Brecht: 'Art is not a mirror held up to reality but a hammer with which to shape it.'
  • Art
    The expression of man's ideas, imagination, and emotions through the use of his body
  • Characteristics of Art
    • Man-made
    • Unique
    • Aesthetics
  • Types of Art
    • Painting
    • Sculpture
    • Architecture
    • Literature
    • Music
  • Space
    Refers to the distances or areas around, between, and within components of a piece
  • Positive space
    Refers to the subject of the piece itself
  • Negative space
    Refers to the empty spaces the artist has created around, between, and within the subject
  • Elements of Art
    • Space
    • Line
    • Shape
    • Form
    • Color
    • Texture
  • Line
    Indicates direction, orientation, movement, and energy. It is considered as the oldest, simplest, universal element
  • Vertical line
    • Basic framework of all forms, power, strength, stability, simplicity, and efficiency
  • Horizontal line
    • Creates an impression of serenity and perfect stability, rest, calmness, peace, and repose
  • Jagged line
    • Shows violence, confusion, and conflict
  • Curved line
    • Shows a gradual change of direction and fluidity and signifies subtle form
  • Shape
    An enclosed space, a bounded two-dimensional form that has both length and width
  • Organic shapes

    • Based on natural or living forms and can be irregular
  • Geometric shapes

    • Based on measured forms
  • Paintings
    • Christina's World by Andre Wyeth, 1948
  • Sculptures
    • Rizal Monument by Richard Kissling, 1913
    • Winged Victory Samothrace (220 - 190 BCE)
    • Aphrodite, Pan, and Eros (c. 100)
    • Venus de Milo (Aphrodite of Melos) (c. 100)
    • Laocoon and his Sons (42 - 20 BCE)
  • Form
    Connotes something that is three-dimensional and encloses volume, having length, width, and height
  • Geometric forms
    • Mathematical, precise, and can be named, as in the basic geometric forms: sphere, cube, pyramid, cone, and cylinder
  • Organic forms
    • Free-flowing, curvy, sinewy, and are not symmetrical or easily measurable or named
  • Color
    Produced when light, striking an object, is reflected in the eye
  • Classification of Colors
    • Primary colors
    • Secondary colors
    • Intermediate colors
  • Hue
    Refers to the names we assign a color
  • Saturation
    Refers to the vividness of color
  • Value
    Lightness or darkness of the color
  • Principles of Art
    • Emphasis
    • Balance
    • Harmony
    • Variety
    • Movement
    • Unity
  • Emphasis
    The composition refers to developing points of interest to pull the viewer's eye to important parts of the body of the work
  • Balance
    A sense of stability in the body of work. It can be created by repeating the same shapes and by creating a feeling of equal weight
  • Harmony
    Achieved in a body of work by using similar elements throughout the work, harmony gives an uncomplicated look to your work
  • Variety
    Refers to the differences in the work, you can achieve variety by using different shapes, textures, colors, and values
  • Movement
    Adds excitement to your work by showing action and directing the viewer's eye throughout the picture plane
  • Unity
    Is seen in a painting or drawing when all the parts equal a whole
  • Fresco
    The painting of color pigments on wet lime plaster without a binding agent when the plaster absorbs the paint, it is fixed and protected from fading
  • Frescoes
    • Minoan Dolphin Fresco from Knossos, Crete, 1700 - 1450 BCE
    • Minoan Bull - leaping Fresco from Knossos, Crete, 1450 - 1400 BCE
    • Minoan Griffin Fresco from Knossos, 1700 - 1450 BCE
  • Pottery
    Achieved prominence from 1000 BCE to 400 BCE, vases were meant to be used in everyday life, painters were partnering with potters in creating vases