or lines can tie everything together in a work of art.
Implied line is the creation of the illusion of a line
contour lines describe the surface and edge of a subject
Actual line is a non-interrupted line
Geometric shapes such as circles, triangles or squares have perfect, uniform measurements and don't often appear in nature.
Organic shapes are associated with things from the natural world, like plants and animals
Wherever the ends of a continuous line meet, a shape is formed.
Static Shape-Shapes that appears stable and resting. Dynamic Shape-Shapes that appears moving and active
∙Positive Shapes-In a drawing or painting positiveshapes are the solidforms in a design such as a bowl of fruit. In a sculpture it is the solidform of the sculpture.
Negative Shapes-In a drawing it is the space around the positive shape or the shape around the bowl of fruit. In sculpture it is the empty shape around and between the sculptures
Form is the three-dimensionality of an object. Shape is only two-dimensional; form is three-dimensional.
In drawing or painting using value can imply form. Shading a circle in a certain manner can turn it into a sphere
VALUE is the range of lightness and darkness within a picture
Value is created by a light source that shines on an object creating highlights and shadows
Value creates depth within a picture making an object look three dimensional with highlights and cast shadows
High-Key is where the picture is all light values.
Low-Key is where the picture is all dark values.
Tint is adding white to color paint to create lighter values such as light blue or pink.
Shade is adding black to paint to create dark values such as dark blue or dark red.
in a landscape where colour gets lighter in value as it recedes to the background giving the illusion of depth.
Value Scale is a scale that shows the gradual change in value from its lightest value, white to its darkest value black.
Hue: refers to the names of the colours, red, green and blue
• Intensity: the purity or saturation of the colour
The primary colours are red, yellow, and blue. Red, yellow, and blue are called "primary" colours because they can not be mixed from other colours.
All other colors can be mixed using the three primary colors. The "secondary" colors, orange, green, and violet, are mixes of the primary colors
Colours such as red——orange, red—-violet, yellow—-green, yellow—-orange, blue-violet, and blue-green, are mixed from primary and secondary colours and are called tertiary colours
Monochromatic color: use of one colour where only the value of the colour changes
Analogous colours next to each other on the colour wheel "get along" and are referred to as being harmonious.
Analogous colors:
colors that are adjacent to each other on the color wheel, e.g. yellow and green
Complementary colours: colours opposite to each other on the colour wheel, e.g. Blue-violet and yellow, represent colours positioned across from each other on the colour wheel
Triad color schemes are formed by three equally spaced color on the wheel.
• tend to be quite vibrant, even if you use pale or unsaturated versions of your hues.
• To use a triadic harmony successfully, the colors should be carefully balanced - let one color dominate and use the two others for accent.
Cool colours include: violet, blue and green because of our association with snow and ice.
Warm colours include: yellows, red and orange we associate these with blood, sun and fire.
All Native Canadian religions see the world as full of connected spiritual forms, in animals , trees, rocks, as well as human beings. Therefore their relationship with the land is one of spiritual connection, not one of struggle or conquest.
Artists can create the illusion of texture through the choice of medium and surface receiving the medium.
– smooth (SM-)
– bumpy. (BUMP-)
– soft. (SOF-)
– hard (HA)
– shiny. (SHI)
– bouncy (BOIN)
Positive shapes occupy positive space. The area around positive shapes, the background, is negative space.
volume: is related to amount of space a form uses
positive and negative shapes:
• positive indicates filled space
• negative indicates empty space.
These work together to form figure-ground relationships.
• figure-ground reversals:
create optical illusions that contradict our perceptions of positive-negative