Elements of design

Cards (38)

  • Elements of Designs
    Line
    Shape/Form
    Value
    Colour 
    Texture
    Space
  •   A line can be where a drawing starts,
    or lines can tie everything together in a work of art.
  • Implied line is the creation of the illusion of a line
  • contour lines describe the surface and edge of a subject
     
  •   Actual line is a non-interrupted line
  • Geometric shapes such as circles, triangles or squares have perfect, uniform measurements and don't often appear in nature.
  • Organic shapes are associated with things from the natural world, like plants and animals
  • Wherever the ends of a continuous line meet, a shape is formed.
  • Static Shape-Shapes that appears stable and resting. Dynamic Shape-Shapes that appears moving and active
  • ∙Positive Shapes-In a drawing or painting positive shapes are the solid forms in a design such as a bowl of fruit. In a sculpture it is the solid form of the sculpture.
  • Negative Shapes-In a drawing it is the space around the positive shape or the shape around the bowl of fruit. In sculpture it is the empty shape around and between the sculptures
  • Form is the three-dimensionality of an object. Shape is only two-dimensional; form is three-dimensional.
  • In drawing or painting using value can imply form. Shading a circle in a certain manner can turn it into a sphere
  • VALUE is the range of lightness and darkness within a picture
  • Value is created by a light source that shines on an object creating highlights and shadows
  • Value creates depth within a picture making an object look three dimensional with highlights and cast shadows
  • High-Key is where the picture is all light values.
  • Low-Key is where the picture is all dark values.
  • Tint is adding white to color paint to create lighter values such as light blue or pink.
  • Shade is adding black to paint to create dark values such as dark blue or dark red.
  • in a landscape where colour gets lighter in value as it recedes to the background giving the illusion of depth.
  • Value Scale is a scale that shows the gradual change in value from its lightest value, white to its darkest value black.
     
  • Hue: refers to the names of the colours, red, green and blue
    Intensity: the purity or saturation of the colour
  • The primary colours are red, yellow, and blue. Red, yellow, and blue are called "primary" colours because they can not be mixed from other colours.
      
  • All other colors can be mixed using the three primary colors. The "secondary" colors, orange, green, and violet, are mixes of the primary colors
  • Colours such as red——orange, red—-violet, yellow—-green, yellow—-orange, blue-violet, and blue-green, are mixed from primary and secondary colours and are called tertiary colours
  • Monochromatic color: use of one colour where only the value of the colour changes
  • Analogous colours next to each other on the colour wheel "get along" and are referred to as being harmonious.
  • Analogous colors:
    colors that are adjacent to each other on the color wheel, e.g. yellow and green
  • Complementary colours: colours opposite to each other on the colour wheel, e.g. Blue-violet and yellow, represent colours positioned across from each other on the colour wheel
    • Triad color schemes are formed by three equally spaced color on the wheel.
    • tend to be quite vibrant, even if you use pale or unsaturated versions of your hues.
    • To use a triadic harmony successfully, the colors should be carefully balanced - let one color dominate and use the two others for accent.
  • Cool colours include: violet, blue and green because of our association with snow and ice.
  • Warm colours include: yellows, red and orange we associate these with blood, sun and fire.
  • All Native Canadian religions see the world as full of connected spiritual forms, in animals , trees, rocks, as well as human beings. Therefore their relationship with the land is one of spiritual connection, not one of struggle or conquest.
     
  •  Artists can create the illusion of texture through the choice of medium and surface receiving the medium.
    smooth  (SM-)
    bumpy. (BUMP-)
    soft. (SOF-)
    hard (HA)
    shiny. (SHI)
    bouncy (BOIN)
  • Positive shapes occupy positive space. The area around positive shapes, the background, is negative space.
  • volume: is related to amount of space a form uses
    positive and negative shapes:
    positive indicates filled space
    negative indicates empty space.
    These work together to form figure-ground relationships.
      
  •  • figure-ground reversals:
    create optical illusions that contradict our perceptions of positive-negative