An Inspector Calls

Cards (35)

  • Inspector Goole (act 1)
    “A chain of events”- metaphor, symbolic of the build-up of a series of bad events (caused by the Birlings and Gerald) can ultimately lead a young girl to suicide.
  • Mr Birling : “The Titanic… absolutely unsinkable, absolutely unsinkable.”
    Dramatic Irony - Makes Birling look foolish and arrogant. Shows his ignorance and obsession with status. The audience immediately distrusts him.
  • Mr Birling : “A man has to mind his own business and look after himself.”
    Capitalist Ideology - Represents selfish capitalist views. Priestley critiques this attitude through the Inspector’s arrival right after.
  • Mrs Birling : “Go and look for the father of the child. It’s his responsibility.”
    Dramatic Irony - Ironically shifts blame to Eric—her own son. Shows her ignorance and refusal to see what’s right in front of her.
  • Mrs Birling : “As if a girl of that sort would ever refuse money!”

    Prejudice - Assumes working-class girls are greedy and dishonest. Reflects deeply ingrained stereotypes of the time.
  • Sheila : “But these girls aren’t cheap labour – they’re people.”
    Emotive Language - Early sign of her social conscience and empathy. Opposes her father’s capitalist views.
  • Sheila : “Fire and blood and anguish.”
    Biblical Imagery - Repeats the Inspector’s warning—shows she internalises his message and supports social responsibility.
  • Sheila : “You mustn’t try to build up a kind of wall between us and that girl.”
    Metaphor - She realises the social divide between classes must be broken down. She’s insightful and morally aware.
  • Eric : “You’re not the kind of father a chap could go to when he’s in trouble.”

    Emotive Language - Reveals a cold, distant father-son relationship. Highlights the failures of upper-class parenting
  • Eric : “I was in a state where a chap easily turns nasty.”
    Euphemism - Implies sexual assault. Priestley shows how toxic masculinity and entitlement can harm vulnerable women
  • Eric : “The fact remains that I did what I did.”
    Repetition - Takes ownership of his actions. Priestley uses him as a symbol of hope and change in the younger generation.
  • Gerald : “I’m rather moreupset – by this business than I probably appear to be.”

    Emotive Language - Tries to show remorse, but the vagueness makes it feel performative. Priestley shows that guilt without change is pointless.
  • Gerald : “Everything’s all right now, Sheila. What about this ring?”

    Symbolism - Offers the engagement ring again like nothing happened. He hasn’t changed—shows male privilege and lack of growth.
  • Sheila : “I’ll never, never do it again to anybody.”
    Repetition, Emotive language - She genuinely feels guilty and takes full responsibility. Priestley uses her as a voice for social conscience
  • Sheila : “He’s giving us the rope – so that we’ll hang ourselves.”
    Metaphor - She understands the Inspector’s method. Shows her increasing intelligence and awareness
  • Gerald : ““I don’t come into this suicide business.”
    Deathly imagery - At first, he tries to distance himself from blame. Shows privilege and avoidance of responsibility
  • Gerald : “We’re respectable citizens and not criminals.”
    Irony - He believes social class protects him from blame—Priestley exposes this as false security
  • Gerald : ““She was young and pretty and warm-hearted – and intensely grateful.”
    List - He paints Eva in a romantic light—shows he used her but also had some emotional connection
  • Eric : Why shouldn’t they try for higher wages?

    Rhetorical Question - Early sign that Eric has some sympathy for the working class, unlike his father
  • Eric : You killed them bothdamn you, damn you –

    Repetition, Emotive language - He lashes out at his mother. Shows how affected he is and that he accepts responsibility
  • Inspector Goole : We are members of one body.

    Metaphor - The Inspector’s key message. He promotes social responsibility and unity
  • Inspector Goole : There are millions and millions and millions of Eva Smiths and John Smiths still left with us.

    Repetition, Symbolism - Eva is a symbol of the working class. The Inspector warns the audience that injustice is still happening
  • Inspector Goole : Each of you helped to kill her.

    Direct Address - He holds them all responsible. Shows how individual actions have collective consequences
  • Inspector Goole : Public men, Mr Birling, have responsibilities as well as privileges.
    Direct Address - He directly criticises Mr Birling’s selfish capitalist view. Priestley’s voice comes through here
  • Inspector Goole : Fire and blood and anguish.
    Triad, deathly imagery - A warning about the consequences of ignoring responsibility—references war and suffering. A very powerful ending
  • Mr Birling : If you don’t come down sharply on these people, they’d soon be asking for the earth.
    Hyperbole - Birling sees the working class as greedy and ungrateful. Highlights his prejudice
  • Mr Birling : Probably a socialist or some sort of crank.
    Dismissive tone - Birling mocks the Inspector’s message—Priestley uses him to represent the old, stubborn upper class
  • Mrs Birling : Girls of that class-
    Classism - She’s prejudiced against the working class, assuming they’re less moral or honest
  • Mrs Birling : I did nothing I’m ashamed of.

    Irony - She shows no guilt or growth. Priestley criticises the lack of social responsibility in the upper class
  • Grade 9 key words for Inspector Goole
    Prophetic : Because he predicts the consequences of the Birling’s actions and he foreshadows the end of the play. Omniscient : All knowing
  • Grade 9 key words for Mr Birling:

    Supercilious : arrogantly superior and dismissive
  • Grade 9 key word Mrs Birling:

    Apathetic: Uncaring and emotionally detached
  • Grade 9 key word for Sheila : 

    Altruistic : Selfless and concerned for others
  • Grade 9 key words for Eric : 

    Disillusioned : Disappointed by reality; lost faith in ideas
  • Grade 9 key word for Gerald : 

    Debonair : Charming and confident, often superficially