MUSIC OF THE 20TH CENTURY (Music m1 Q1)

Cards (23)

  • Impressionism
    Is a classical composition style originating during the late-Romantic era that aimed to create moods, emotions, and atmospheres
  • Characteristics of Impressionism Music:
    • Innovative chords and progressions leading to mild dissonances
    • Based from the 19th century painting of Claude Monet, Impression Sunrise
    • Translucent and hazy forms, as if trying to see through a rain-drenched window
    • Melodies were meant to create an emotional mood rather than a specific picture.
  • Claude Debussy (1862-1918)
    • Father of Modern School Composition
    • Most popular piano composition: Clair De Lune (Moonlight Sonata)
    • Made a total of more or less 227 compositions.
  • Maurice Ravel (1875-1937)

    • Composed Bolero featuring the largest crescendo ever created
    • Made a total of 60 musical pieces
  • Arnold Schoenberg (1874-1951)

    • He taught himself music theory and is credited with the development of the twelve-tone system and explored on the chromatic harmonies
    • Composed 213 musical pieces
  • Igor Stravinsky (1882-1971)

    • He featured shifting rhythms and polytonality
    • His musical outputs are 127 pieces
  • Expressionism was originally borrowed from visual art and literature.
  • How did Expressionist artists create their works?
    Artists created vivid pictures, distorting colors and shapes to make unrealistic images that suggested strong emotions.
  • What did Expressionist composers explore in their music?
    Composers poured intense emotional expression into their music and explored the subconscious mind.
  • Characteristics of Expressionism Music:
    • Extremes of pitch
    • High level of dissonance
    • Constantly changing textures
    • Distorted melodies and harmonies
    • Extreme contrasts of dynamics
    • Angular melodies with wide leaps
  • Vincent Van Gogh
    • One of the most influential figures of the post-impressionism movement in France.
    • Also seen as a pioneer of 20th century Expressionism.
    • His use of color, rough brushwork and primitivist composition, anticipated Fauvism (1905) as well as German Expressionism.
  • Two musical styles of the 20th century:
    1. Primitivism
    2. Neo-classicism
  • Primitivism
    It uses raw and instinctual rhythm and sounds and combines two familiar or simple ideas together creating new sounds.
  • The two well-known proponents of Primitivism:
    Igor Stravinsky and Bela Bartok
  • P - Primitivism
    E - Exoticism
    N - Nationalism
    E - Ethnicism
    N - Neo-Classicism
  • How does Primitivism relate to Exoticism and Nationalism?
    It has links to Exoticism using materials from other cultures to Nationalism through the use of indigenous materials
  • Shorter terms (Discussion Terms):
    • Exoticism - other cultures
    • Nationalism - Cultural Identity
    • Ethnicism - Sense of Belonging
  • Characteristics of Primitivism:
    • Rhythms have clear profiles
    • Meters can have beats of unequal length
    • Two or more meters can be juxtaposed on top of each other to create poly meters
    • Composers often emphasized the musical element of rhythm in their effort to express an ancient or aboriginal (cultural beliefs/values) attitude
  • Neo-Classicism
    • Reviving classical with modern
    • Showed a moderating factor between the emotional excess of the Romantic period and the violent impulses of the soul in impressionism
    • Ex. Peter and the Wolf, 1920s
  • Characteristics of Neo-Classicism:
    • Combined tonal harmonies with slight dissonances
    • Modern, freer use of the seven-note diatonic scale
    • Emphasis on Rhythm
    • Contrapuntal Texture
    • Expanded tonal harmony
  • Avant-Garde
    French term which means favoring or introducing experimental or unusual ideas
  • Characteristics of Avant-Garde:
    • Alters musical continuity
    • Expresses strange sound to the ears
    • Improvising unique instruments is a necessity
    • Acquires a new attitude toward musical mobility
    • Deals with dimensions of sound in space
    • Does not conform to traditional rules in harmony, melody, and rhythm
  • Atonal
    No central key