PHILIPPINE FOLK DANCE TERMINOLOGIES

• Abracete

  • Girl at the right side, holds Right arm of partner with her Left hand, free hands down at the sides. This terms of Spanish and is used in Rigodon and in other dances. 
• Arms in Lateral Position

  • both arms are at one side, either sideward right or left. This may be done at shoulder chest or waist level. 
• Arms in Reverse “T” position

  • Arms are side horizontal, elbows bent at right angles, forearms parallel to head, palms forward or facing inward, fists loosely closed. 
• Bilao

  • To turn hands up and sown alternately, hands at waist level in front, elbows close to waist. 
• Brush

  • Weight on one foot, hit the floor with the ball or heel of the other foot (the free foot) after which that foot is lifted from the floor to any direction. 
• Cabeceras

  • When dancers are in square formation, the couples occupying the width of the hall are called “cabeceras” or head couples. This is of Spanish origin. 
• Costados

  • When dancers are in square formation, the couples occupying the length of the hall are called “costados” or side pairs. This is of Spanish origin. Crossed Arms – Partners are facing each other or standing side by side, girl at the right of boy. ... This is a Tagalog term but of Spanish origin.
• Counterclockwise

  • The reverse direction of clockwise. Left shoulder is toward the center of an imaginary circle. When facing center, the movement is toward the right. 
• Cross- Over

  • Two couples (the vis-à-vis) are opposite each other. Each couple proceeds in a straight line to the opposite place. The girl passes by their Left shoulders between the boy. Boys bow to each other when they meet at the middle or at about one-third of the way, then proceed to the opposite place. Upon reaching the opposite place, partners turnabout, girls stand at partners’ right side. 
• Crossed arms

  • Partners are facing each other or standing side by side, girl at the right of boy. They join their Left hands together and their Right hands together either Right over Left or Left over Right hands. 
• Cut

  • To displace quickly one foot with the other, thus completely taking off the weight of the body from the displaced foot. 
• Do-Si-Do(“Dos-a-Dos”)

  • The vis-à-vis (opposite) both advance forward, pass each other’s right (or left) side, step across to the right (or left), move backward without turning around pass each other’s left (or right) side to proper places. This is of foreign origin and is used in many Philippine dances. 
• Draw

  • To pull one foot along the floor close to the other which has the weight of the body The weight may or may not be transferred. 
• Free Foot

  • The foot no bearing the weight of the body. 
• Free Hand

  • The hand not place anywhere or not doing anything. 
• Hand on Waist

  • Place hands at the waist line (at the smallest part of the trunk), knuckles in, fingers pointing in rear. 
• Hapay

  • To flourish or offer a handkerchief, hat or glass of wine to somebody as a sign of invitation. 
• Hayon–Hayon

  • To place one forearm in front and the other at the back of the waist. This is a Visayan term. 
• Hop

  • A spring from one-foot landing on the same foot in place or any direction (in front, in rear, sideward or across). 
• Inside Foot

  • The foot nearest one’s partner, when partners stand side by side. 
• Inside Hand

  • The hand nearest one’s partner, when partners stand side by side. 
• Jaleo

  • Partners turn once around clockwise (with right elbows almost touching) or counter clockwise with left elbows almost touching) using walking or any kind of dance step. The hands near each other are on waists. This is a tagalong term but is of Spanish origin. 
• Jump

  • Spring on one foot or both feet, landing on both in any direction. 
• Kumintang

  • Moving the hand from the wrist either in a clockwise or counterclockwise direction. This is an Ilocano term. 
• Leap

  • A spring from one-foot landing on the other foot in any direction (forward, sideward, backward or oblique) 
• Masiwak

  • To turn the hand from the wrist half-way clockwise then raise and lower wrist once or twice. This is an Ibanag term. 
• Outside Foot

  • The foot away one’s partner, when partners stand side by side. 
• Outside Hand

  • The hand away from one’s partner, when partners stand side by side. 
• Place

  • To put the foot in a certain or desired position without putting weight on it. The sole of the foot rests flat on the floor. 
• Point

  • Touch lightly with the toes of one foot, weight of the body on the other. 
• Saludo

  • partner bow to each other, to the audience, opposite dancers, or to the neighbor. 
• Sarok

  • Cross the Right (or left) foot in front of the Left (or right), bend the body slightly forward and cross the hands down in front with the Right (Left) hand over the Left(Right). 
• Set

  • A dance formation like a quadrille or a unit composed of two or more pairs. 
• Stamp

  • To bring down the foot forcibly and noisily on the floor (like doing heavy steps). 
• Star with the Right Hand

  Four or more people advance to the center and join Right hands and circle around clockwise using walking or change or any other step. 
• Star with the left hand

  • same as “Star with the Right hand” only join Left hands and counterclockwise. 
• Step

  • To advance or recede by raising and moving one foot to another resting place. There is a complete transfer of weight from one foot to the other. 
• Tap

  • To tap lightly with the ball or tip of the toe, placing weight of the body on the foot. There is no change or transfer of weight here.